Ode To Divorce
Regina Spektor · Live In London [2010]
Is suddenly tasteless
I know I'm alone now
I know what it tastes like
So break me to small parts
Let go in small doses
But spare some for spare parts
There might be some good ones
Like you might make a dollar
I'm inside your mouth now
Behind your tonsils
Peeking over your molars
You're talking to her now
And you've eaten something minty
And you're making that face that I like
And you're going in, in for the kill, kill
For the killer kiss, kiss for the kiss, kiss
I need your money, it'll help me
I need your car and I need your love x2
So won't you help a brother out?
Won't you help a brother out?
Won't you help a brother out, out, out, out, out?
So break me to small parts
Let go in small doses
But spare some for spare parts
You might make a dollar
Dollar, might make a dollar
So won't you help a brother out?
Won't you help a brother out?
Won't you help a brother out, out, out, out, out?
So break me to small parts
Let go in small doses
But spare some for spare parts
There might be some good ones
You might make a dollar
(There might be some good ones)
There might be some good ones
(You might make a dollar)
You might make a dollar
(There might be some good ones)
There might be some good ones
Ode To Divorce
Regina Spektor's 'Ode To Divorce' captures the raw emotional landscape of separation through her signature blend of piano-driven indie pop and theatrical storytelling. Recorded during her 2010 London performance, the track showcases the artist's ability to transform personal introspection into a universally relatable musical experience. Spektor's distinctive vocal delivery and intricate keyboard work create an intimate atmosphere that defines much of her live repertoire. This recording stands as a testament to her evolving discography, where she balances whimsical melodies with poignant lyrical themes. As part of a broader body of work that includes acclaimed albums and memorable singles, the song highlights her unique position within the alternative music scene. Her performance style invites listeners into a world where vulnerability and artistic expression converge seamlessly.

