Please Come To Boston
Reba McEntire · I'll Be [2000]
I'm stayin' here with some friends
And they've got lots of room
You can sell your paintings on the sidewalk
By a cafe where I hope to be workin' soon
Please come to Boston
I said no, boy would you come home to me
I said, ramblin' boy why don't you settle down
Boston ain't your kind of town
There ain't no gold, and there ain't nobody like me
I'm the number one fan of the man from Tennessee
He said please come to Denver with the snowfall
We'll move up into the mountains so far we can't be found
And throw I love you echos down the canyon
And then lie awake at night until they come back around
Please come to Denver
I just said no, boy won't you come home to me
I said, ramblin' boy why don't you settle down
Denver ain't your kind of town
There ain't no gold, and there ain't nobody like me
I'm the number one fan of the man from Tennessee
Now that drifter's word goes round and round
And I doubt if it's ever gonna stop
But of all the dreams he's lost or found
And all that I ain't got
He's still needs to lean to
Somebody he can sing to
He said please come to L.A. to live forever
A California life alone is just too hard to build
I live in a house that looks out over the ocean
And there's some stars that fell from the sky
Livin' up on the hill
Please come to L.A.
I just said no, boy won't you come home to me
And I said, ramblin' boy why don't you settle down
L.A. can't be your kind of town
There ain't no gold, and there ain't nobody like me
I'm the number one fan of the man from Tennessee
I'm the number one fan of the man from Tennessee
Tennessee
Please Come To Boston
Reba McEntire's 2000 single "Please Come To Boston" stands as a defining track from her album *I'll Be*, showcasing her signature blend of country storytelling and emotional depth. Released during a pivotal era in her career, the recording highlights her ability to craft narratives about longing and connection that resonate deeply with her audience. The song exemplifies the polished production style characteristic of early 2000s country pop, where McEntire's powerful vocals served as the central instrument. As part of her extensive discography, the track continues to be celebrated for its authentic delivery and its place within the broader landscape of her work, reinforcing her status as a leading figure in the genre.

