Shoot for the moon
Roger Whittaker · Awakening [2000]
Here we are its two am
and we're close enough to touch.
There it is waiting to be said.
But no one saying much.
Lene:
The lights are low
and candles glow around your angle eyes.
Roger:
I think you know,
Together:
these feelings for each other
really come as no surprise.
Togeter:
We can shoot for the moon.
Maybe we got to come in.
If we shoot for the moon,
maybe we'll win the running.
Lene:
We can live all allowed fantasies
or stay in the way we are.
Together:
But if we shoot for the moon
The world still happen.
These we'll fall among the stars.
Lene:
Here we go caught up in the moment,
wishing it would last.
Together:
There we go trailing at the speed of love
and falling fast.
Take my heart hold it close and tread it like a friend.
Take my hand maybe we'll get lucky
and tonight will never end.
Together:
We can shoot for the moon.
Maybe we got to come in.
If we shoot for the moon,
maybe we'll win the running.
We can live all allowed fantasies
or stay in the way we are.
But if we shoot for the moon
The world still happen.
These we'll fall among the stars. . .
Roger:
. . . are not a bad place you will find.
Together:
They may not give around much
with they sure know how to shine,
how to shine.
Together:
We can shoot for the moon.
Maybe we got to come in.
If we shoot for the moon,
maybe we'll win the running.
We can live all allowed fantasies
or stay in the way we are.
But if we shoot for the moon
The world still happen.
These we'll fall among the stars. . .
Together:
Among the stars.
Among the stars.
Among the stars.
Mmmh. . .ooh. . .
Shoot for the moon
Roger Whittaker's "Shoot for the moon" stands as a testament to his enduring vocal prowess and distinctive tenor style. Recorded for the 2000 album Awakening, the track showcases the artist's signature blend of folk sensibilities and polished pop production. Whittaker, known for his wide vocal range and emotive delivery, has maintained a prolific career spanning decades, covering a diverse array of genres from traditional ballads to upbeat standards. This particular recording reflects his ability to reinterpret material with a sense of timeless elegance, fitting seamlessly into a catalogue that includes celebrated works like The Lewis Bridal Song and I am but a small voice. The song remains a compelling example of his consistent artistic vision, appealing to listeners who appreciate clear, resonant vocals and carefully crafted musical arrangements.

