We Be Burnin'

Sean Paul · The Trinity [2005]

Just gimme the gees an we be clubbin yow.

Gal a make wi please and we be thuggin' now.S

Sippin' hennesy an we'll be bubblin yow.

Set we mind at ease we got to take it slow.



Verse 1:

So when you see the S.p. floatin don't provoke him

Cause the girls we be poking have to smoking.

Best thing fi the recreation a fi get the best girls inna every nation.

All Topper girls we promotin and suportin

And dem love how we flow king here them shouting

First class ticket invitation girls from New York, England and Jamaican.



Chorus:

Everyday we be burnin not concernin what nobody wanna say.

We be earnin dollars turning cause we mind de pon we pay.

Worth more than gold and oil and diamonds girls we need dem everyday.

Recognize it, We Pimpin as we riding.



Verse 2:

Girls them a page me waan fi raise me

True me write nuff tune and drive them crazy.

Well I man a true born Jamaican

Ready fi the girls them inna every situation.



We a the gal dem pro, them know we flow

With the lyrical content that make them dip low and

Make the club keep jumpin Turn up the bass make we here when it pumpin.



Summertime bounce to the music people choose it

Sean da P gal a cruise with... well reputed cause.

We a the girls them champion,

Have nuff a them like the great king Solomon.



Many girls inna wi eye sight sexy dress type

Se them ready fi a hype night Just gimme di light

An make we blaze it the roof we haffi raise it again



Chorus:

Verse 1 (repeat)

Chorus(repeat)

We Be Burnin'

Sean Paul's 'We Be Burnin'' is a high-energy track from his 2005 album The Trinity, showcasing his signature blend of dancehall rhythms and reggae roots. Released during a pivotal era for digital music distribution, the song exemplifies the vibrant sound of early 2000s dancehall, characterized by its infectious tempo and Paul's distinctive vocal delivery. As a staple of his discography, the recording captures the raw, rhythmic intensity that defined his career at the time, contributing to his status as a leading figure in the genre. The track remains a recognizable representation of the dancehall movement, reflecting the cultural momentum of the mid-2000s while establishing a foundation for his subsequent musical evolution.