Yardie Bone

Sean Paul · The Trinity [2005]

[Intro:]

Historically speaking...International speaking we got the girl them tweaking

Single girl dem to the one wey creepin' to the one dem weh outright cheating



[Chorus:]

Say girls from all over the world call on my phone and them a...

Tell me say them need the yardie bone, because...

Then love it bad...And if they don't get it them a goin' go mad

Say girls from all over the world call on my cell, because..

They know the yardie boys do it well, swell..

It's a well known fact....from they get the yardie bone then they must come back



[Verse 1:]

From outta the freezin' breezin' them gal deh blowin' up my phone

Them cannot get me at my yard them callin' Don Corleon

She left a message say she horny and she deh there all alone, she want me..

Up inna the zone to give her the real yardie bone

Me represent magnificent because me know me full grown

Give her the length and give her the strength because it hard like a stone

And to how me deal with it she say dutty a your own

Say the yardie youth them just can't be cloned.



[Chorus:]



[Verse 2:]

Alright I got a phat kitty katty from over Cincinatti...

She a tell me say the last time me slap it she so happy, say she...

Can't forgot it the way me wippy and me wappy like a 12 gauge cartridge from out I man shotty, from....

Cairo, Egypt right back to Angola.....Gal dem a Spain and Portugal and Hispaniola

Them blowin' up the minutes on I man Motorola.....Say me a dem yard papi chulo



[Chorus:]



[Verse 3:]

Hey yo we got all these girls from overseas and all the West Indies..

Yow dem say them bawlin' for it...

Them deh a foreign a freeze and want the ocean breeze...

So they be callin' for it...

Them all a beg man please and all a drop pon knees...

Hey yow dem really bawlin' for it...

Me naw go get no ease them swarm me just like bees...

Them really callin' for it ...



[Chorus]

[Chorus (repeat)]

Yardie Bone

Sean Paul's "Yardie Bone" stands as a defining track from his 2005 album The Trinity, showcasing his mastery of dancehall rhythms infused with reggae sensibilities. Released during a pivotal era for Caribbean music, the song exemplifies the genre's characteristic blend of heavy basslines and melodic vocal delivery that propelled Paul to global prominence. As a staple of his discography, the recording captures the vibrant energy of the mid-2000s dancehall scene, reflecting themes of street life and resilience often explored in his work. The track remains a significant example of how Paul integrated traditional Jamaican sounds with contemporary production techniques, influencing a generation of artists across the Atlantic and beyond.