Never Going To Be the Same
Sean Paul · The Trinity [2005]
Say when mi look up ina mi life its plain to see.
That its never gonna be the same.
Take another step on towards my destiny.
But the memories still remain.
Deep ina mi brain inna mi soul I hold the key.
Said its never gonna be the same.
Throughout all life and beyond all eternity.
I keep burnin up the flame.
[Verse 1:]
Wish I could rewind all the hands of time and bring back
Daddigon a great bredrin of mine, I....
Sit and remember all the things that we spoke of,
All of the serious reasonings an all di tings we make jokes of.
Still cannot believe them took your life away
But those who pull the trigger cannot take away.
The covenant the righteous have with Jah Jah.
So I know I'll see you again my brother.
[Chorus:]
[Verse 2:]
Fi all the friends and families that have past on.
Leaving impressions and memories that will last on.
We give thanks fi all the time that we know them,
Reminisce them legacy that is what we owe them.
Because the helped to make us who we are.
So let us never forget and talk it near and far.
less Up Grandpa Lee and Aunt Chris-I
Can't forget you if I try.
[Chorus:]
[Verse 3:]
Father Bogle (keep burnin up all the flame)
Simpleton (never gonna ever gonna be the same)
Peter Cargill (keep burnin up all the flame)
Shorty Malcolm (got memories inna mi brain)
Nicole Wynter (keep burnin up all the flame)
All friends and family....We'll never forget you all
[Chorus: (repeat)]
Never Going To The Same
Sean Paul's 'Never Going To Be The Same' stands as a defining track from his 2005 album The Trinity, showcasing his mastery of dancehall rhythms blended with reggae sensibilities. Released during a pivotal era for Caribbean music, the recording captures the infectious energy and melodic hooks that characterized his work on The Trinity. The song exemplifies Paul's ability to craft anthems that resonate globally while maintaining authentic roots in the genre. Its enduring popularity highlights the timeless appeal of his songwriting and production style, cementing his status as a leading figure in contemporary dancehall and reggae. The track remains a staple in his discography, reflecting the vibrant cultural exchange between Jamaica and international audiences during the mid-2000s.