Psychosocial

Slipknot · Antennas To Hell [2012]

I did my time and I want out

So effusive, fade

It doesn't cut, this soul is not so vibrant.

The reckoning, the sickening.

back at you, subversion

Psuedo-sacred, psycho virgin

Go drill your deserts, go dig your graves!

Then fill your mouth with all the money you will save.

Sinking in, getting smaller again.

I'm done! It has begun, I'm not the only one!



And the rain will kill us all.

We throw ourselves against the wall.

But no-one else can see.

The preservation of the martyr in me.



Psychosocial, Psychosocial, Psychosocial.

Psychosocial, Psychosocial, Psychosocial.



There are cracks in the road we lay.

But when the temple fell, the secrets have gone mad.

This is nothing new, but when we killed it all

The hate was all we had

Who needs another mess, we could start over.

Just look me in the eyes and say I'm wrong!

Now there's only emptiness

Venomous, insipid.

I think we're done-I'm not the only one!



And the rain will kill us all.

We throw ourselves against the wall.

But no-one else can see.

The preservation of the martyr in me.



Psychosocial, Psychosocial, Psychosocial.

Psychosocial, Psychosocial, Psychosocial.



The limits of the dead!

The limits of the dead!

The limits of the dead!

The limits of the dead!



Fake anti-facist lie(Psychosocial)

I tried to tell you but (Psychosocial)

Your purple hearts are giving out. (Psychosocial)

Can't stop a killing idea (Psychosocial)

If its hunting season(Psychosocial)

Is this what you want? (Psychosocial)

I'm not the only one!



And the rain will kill us all.

We throw ourselves against the wall.

But no-one else can see.

The preservation of the martyr in me.



And the rain will kill us all.

We throw ourselves against the wall.

But no-one else can see.

The preservation of the martyr in me.



The limits of the dead!

The limits of the dead!

The limits of the dead!

The limits of the dead!

Psychosocial - Slipknot

Slipknot's "Psychosocial" serves as a visceral centerpiece on their 2012 album *Antennas to Hell*, embodying the band's signature blend of industrial metal, groove metal, and extreme metal. The track features the group's characteristic chaotic instrumentation, including the use of the bass guitar as a percussion instrument, driving a relentless rhythm that mirrors themes of mental instability and societal pressure. Released during an era where the band continued to evolve their complex, multi-layered sound, the song remains a defining example of their post-metal and death metal influences. It showcases the band's ability to create dense, atmospheric soundscapes that deliver high-energy performances, cementing their reputation as pioneers of modern extreme metal.