We're All To Blame

Sum 41 · All the Good Shit [2009]

Take everything left from me

All to blame



How can we still succeed, taking what we don't need

Telling lies, alibis, selling all the hate that we breed

Supersize our tragedy (you cant define me, or justify greed)

Bought in the land of the free (land, free)



And we're all to blame

We've gone too far

From pride to shame

We're trying so hard

We're dying in vain

We're hopelessly blissful and blind

To all we are

We want it all with no sacrifice



Realize we spend our lives living in a culture of fear

Stand to salute and say thanks to the man of the year

How did we all come to this (you cant define me or justify greed)

It's greed that we just can't resist (resist)



And we're all to blame

We've gone too far

From pride to shame

We're trying so hard

We're dying in vain

We're hopelessly blissful and blind

To all we are

We want it all

Everyone wants it all with no sacrifice



Tell me now, what have we done, we don't know

I can't allow what has begun to tear me down

Believe me now, we have no choice left

With our backs against the wall



And now we're all to blame

We've gone too far

From pride to shame

We're hopelessly blissful and blind

When all we need

Is something true

To believe

Don't we all

Everyone

Everyone

We will fall

Cause we're all to blame

We've gone too far

From pride to shame

We're trying so hard

We're dying in vain

We want it all

Everyone

Don't we all

We're All To Blame

Sum 41's "We're All To Blame" serves as a defining track on their 2009 album *All the Good Shit*, showcasing the band's evolution from their earlier punk-influenced sound to a more polished, alternative rock style. The song features the group's signature blend of energetic guitar riffs and dynamic vocal performances, delivered by lead singer Dave Bakay. Released during a period when the band was navigating the complexities of their commercial success and shifting musical identity, the recording reflects their continued commitment to high-energy live performances and anthemic choruses. As part of their discography following *All the Good Shit*, the track exemplifies the band's ability to craft songs that resonate with audiences while maintaining their distinct sonic character within the modern rock landscape.