Live At E's
Sublime · 40 Oz. To Freedom [1992]
Lookin' out for more
While she makes my body ache,
Still I walk in then I say
A Well, uh
I'm on the mic doin', uh
The things you like and I'm, uh
Ras M.G. and I'm, uh
Treat you right
'Cause all the ladies and me,
You see we both agree,
That, uh, I'm goin' down in world history, well yo
Whoa, she makes my body ache
And you know I live for more
I won't flake or perpetrate
I won't front no funky ho
Don't get me wrong I'm just, uh
Singin' my song
I'm just like you,
I like to ball my freaks all night long
Not only do I rhyme
I also cut so nice
And all the fightin' perpetratin' DJ's want my slice
'Cause I'm select
Perpetratin' DJ's, come and look for me
Rock me rubadub rock and roll MC
So sweet and so nice,
They call me delight
Go,ah,go,ah,go,ah,go,ah,go,ah,go go
Go Eric
Think of somethin'
Sing somethin'
My name is Eric, I have nothing to say
Because I am not a fucking DJ
And if you wanna come talk to me
Then you gotta talk to my man Bradleeeeeey
Ha ha ha ha ha
Oh, yeah
Hold up the lyrics
Round in the come and I see
Because i'm not from ya'll
Now, man, I feel it come from us
Be yourself
So if my lyrics are for your fuck,
Combit, for it, for my lone man
See, that's why ya'll come to see it
My rock, it come forward on the mic stylee
See our kooky, fuckin' place
You in our scene
Uh, uh, elected,
My rymes will be perfected
The fightin' MC's will be disected and rejected
I am the most impressive,
Aspective, and progressive
Motivating, innovating, chillin' and digested
It's obious as ever,
It will be specialized
If your trying to proclaim, uh
It can't be comprimised
I am a fresh MC,
As you can plainly see
You won't regret a dj fresh until you soon agree
So take a seat and feel the beat
Of course it is okay, uh, uh
Yes, I still rock M.C. (Not Judgement Day)
Yo. You're no jumpin', Jay.
That's right. We outta here
5000 G, 5000 G,
We outta here, we outta here
Peace
Peace, nothing but peace and unity
Seen love and no fight can go in the middle
Say,
All right
Live At E's
Sublime's "Live At E's" captures the band's raw, high-energy performance style at the heart of their 1992 debut album, 40 Oz. To Freedom. Recorded in a live setting, the track exemplifies the group's signature blend of reggae rhythms and punk rock aggression, showcasing bassist Bradley Nowell's distinctive vocal delivery and lead guitarist Bud Gaugh's melodic intensity. This recording serves as a dynamic snapshot of the band's early sound, reflecting the chaotic yet cohesive energy that defined their live shows and established them as pioneers of the ska-punk genre. The track remains a staple of their discography, illustrating the infectious charisma and musical precision that made Sublime a cultural phenomenon in the 1990s.
