Go Head
Soulja Boy · iSouljaBoyTellem [2008]
[Chorus 1: Juney Boomdata]
Gah-gah-gah-go head an' [4X]
I won't tell a soul so, jump up out them clothes [2X]
I-I-I, ga-ga-ga-go, ga-ga-ga-go, ga-ga-ga-go head an'
Ga-ga-ga-go, ga-ga-ga-go head an'
Ga-ga-ga-go, ga-ga-ga-go, ga-ga-ga-go head an'
Ga-ga-ga-go, ga-ga-ga-go head an'
Ga-ga-ga-go
[Soulja Boy]
Ga-ga-ga-go head, turn my swag on (my swag on)
Ga-go hit that club, get my dance on (get my dance on)
Rubberbands on my neck, make my swag look so official
Blow my nose on this track, please pass me some tissues (tissues)
Soulja Boy in the club gettin crunk like AHHH!
Told the DJ turn the beat up like AHHH! ANd you know it's goin down
S.O.D. Money Gang, we hot right now
[Chorus 2: Juney Boomdata]
Gah-gah-gah-go head an' [4X]
I won't tell a soul so, jump up out them clothes [2X]
[repeat Chorus 2]
[Soulja Boy]
This song so hard every time it come on it's like
([deep voice:] "Soulja Boy tell 'em!") man that's my song
Girl do yo' thang (do it) let me see you break it down
Make the money rain (do it) bout to shut the club down
Swag it (swag it) Gucci belt, Gucci bag, Gucci bandana (dana)
White and red painted loaded snow antenna
I sco' one better, bird walk, no feather
New whip, pink slip, never place se-cond
[Chorus 1]
[Soulja Boy]
Ay lil' buddy, ay lil' mama, ay lil' shawty, ay whassup?
Whassup whassup whassup? Ay what's happennin, ay whattup?
Me and my boy, you and yo' girl, man you know we came to party
Every time we hit the club you know we party HARDY
Ridin on the Harley, swag surf GNARLY
GNARLY, GNARLY!!!!
You other people 'tarded cause you're late for the class
You cain't learn off me, you cain't touch my swag, no!
[Chorus 2 Chorus 1 ad libs to fade]
Go Head
Released in 2008 on the album iSouljaBoyTellem, "Go Head" is a defining track in the evolution of Southern hip-hop and crunk music. Produced by the artist himself, the song exemplifies the genre's signature blend of aggressive beats, melodic hooks, and boastful lyrics that dominated radio airwaves during the late 2000s. As a key component of Soulja Boy's discography, the recording captures the peak of his commercial success and the cultural moment where trap-influenced rhythms merged with traditional rap structures. The track remains a staple in compilations of early 2010s hip-hop, illustrating the artist's ability to craft anthems that resonated with a global youth audience while establishing a blueprint for future trap artists.

