Transylvania
Tyler The Creator · Goblin [2011]
Left Brain, Wolf Haley, Golf Wang
Free Earl, uh
[Verse 1:]
Goddamn I love women
Daydream about penis being in 'em
Meet them with a big grin with a Mac-10
Rope, katana, and then I skin 'em
All beige suit made out of white women
With the red lipstick dancing to John Lennon
With the red sweater jeans made out of blue denim
They can catch me in the spot where the sun don't shine
Bitch don't mind me, shake your hiney
The only motherfucking Wolf here, I spit venom
You're a bad bitch with a real good kitten
And I got the appetite of them fat black women
Wolf Gang in this bitch with a bunch of raps with 'em
Lookin' like the holocaust was a premeds ?
I am tryna get Ms. Piggy by the motherfucking hairs
of her chinny chin chin
Umm, what's that? The cock of a black dude
Mad cause to start her, got the swag of a vacuum (Aww, fuck it)
I'll take her to the back room, dungeon, fighting and punching
And now the slut is under the fucking assumption
That I will be fucking and munching her muffin
Cum will be bleeding but that's not from the time signature of the month
umm
[Hook:]
It's because, I'm Dracula bitch
Don't got a problem smacking a bitch
Kidnapping, attacking, with axes and shit
So I grab them throats and start smacking them shits
It's because, I'm Dracula bitch
Don't got a problem smacking a bitch
Kidnapping, attacking, with axes and shit
Til she decides to take Dracula's dick
[Verse 2:]
Goddamn I love bitches
Especially when they only suck dick and wash dishes
Cooking, cleaning, grant my wishes
Make me and the Wolf Gang Sandwitches
Transylvania crypt let's take a, tour
Bitch try getting through that black trap, door
Keep yelling and working them vocal chords
And that'll be more of a reason that you'll get slapped up, for
Is that four trunks comfy? (Fuck you!) Fuck me? No, fuck Buffy
That little bitch keeps trying to hump me
Jumping over dicks what the fuck she want from me?
She keeps sending me garlic
How many times I gotta tell her I'm allergic (I like your cape)
Oh this baby ape cape?
Bitch I got it for a bargain at the neighborhood target
Fangs are sharp and I hope you know
That all I really want from you is that throat
I can't eat pussy cause I might leave cuts
Then there's blood on my sheets, but that might be a plus
On the channel a fucking animal, leaking like pairs of candles
Bitches ain't hard to handle, I don't want a bride I just want bone marrow
[Hook:]
It's because, I'm Dracula bitch
Don't got a problem smacking a bitch
Kidnapping, attacking, with axes and shit
So I grab them throats and start smacking them shits
It's because, I'm Dracula bitch
Don't got a problem smacking a bitch
Kidnapping, attacking, with axes and shit
Til she decides to take Dracula's dick
[Outro:]
Bite her in her fucking neck, bite her in her fucking neck
Bottom of the fucking lake, bottom of the fucking lake
Call my gang of wolves and bats, call my gang of wolves and bats
It's a full moon tonight and these hoes ain't acting right
It's because I'm Dracula bitch, swag, swag, swag
It's because, Left Brain, Wolf Haley, Free Earl, Golf Wang
About Transylvania
Tyler, the Creator's "Transylvania" from the 2011 album *Goblin* stands as a pivotal moment in his early discography, marking a sharp departure from his previous hip-hop roots toward a darker, more experimental sound. Released during a period of intense creative exploration, the track embodies the surreal and often unsettling atmosphere that would define his subsequent work. The song features a haunting melody and production style that foreshadows the psychedelic and psychedelic-adjacent elements found in later albums like *Wolf*, signaling Tyler's willingness to push boundaries and embrace unconventional sonic textures. As a key component of the *Goblin* era, "Transylvania" reflects the artist's growing interest in blending electronic influences with traditional rap structures, creating a unique musical identity. Its inclusion in the catalog highlights Tyler's evolution as a producer and performer, setting the stage for his future innovations in genre-blending and emotional depth. The track remains a significant reference point for understanding the trajectory of his career and the specific artistic direction he took during this formative phase of his public musical presence.