Mr. Yeah

The Dream · Love vs. Money [2009]

RADIO KILLER (yeah yeah)

r&b gorilla rilla rilla ey ey ey

call the radio right now

his nigga dream gone put it down again

he gone put it down again

radio killer



everytime you bring your ass around (round)

I I put it down

cupid aint got shit on me

blowing back my bow pine

cupid aint got shit on me

oh no no

she says all these nigga be poppin that bull

but I be in it like a preacher in a pulpit



it aint no secret she now that I do it well

and everytime they fail she runs right back to Mr.Yeah

Yeah

Yeah

Yeah

Yeah

Yeah

Yeah

I crunch that body

Mr.Yeah

repeat....



so come here little baby let me do do do that body like it auta be done

see how could somebody reject a body that's

hot hotter that one hundred suns

you deserve a better man

and i got the better plan

cupid aint got shit on me

I'm flyer that super man

I bounce back like a rubber band

there niggas aint got shit on em

you know it



see all these niggas be poppin that bull but I be in it

like a preacher in a pulpit

it aint no secret I know that I do you well and everytime they fail

she runs right back to Mr.Yeah

Yeah

yeah

yeah

yeah

yeah



bridge*

you can always come back

ooooh oooh oooh ooh oh yea

you can always come back

you will always be my baby

sweet baby

and i know that you will always be

hey baby

chillin wit my ella

loving on my ella

feeling on my ella

aint nothin you can tell her

you can always come back

ooooh oooh oooh ooh oh yea

you can always come back

YOU CAN ALWAYS COME BACK TO ME.

Mr. Yeah

The Dream's 'Mr. Yeah' stands as a defining track from the 2009 album 'Love vs. Money,' showcasing the group's signature blend of R&B and hip-hop. Recorded by Terius Nash, the song captures the confident swagger of the mid-2000s era, featuring a rhythmic flow that became a staple of the genre. As part of the group's discography, the recording exemplifies the polished production style that characterized their work during this period, blending soulful vocals with a modern beat. The track remains a notable song in the catalog of The Dream, reflecting the musical landscape of the late 2000s where R&B and hip-hop elements merged seamlessly.