Soul Rebel
UB 40 · Labour Of Love III [1998]
I'm a rebel, soul rebel
I'm a capturer, soul adventurer
See the morning sun, on the hillside
Not living good, yeah
You better travel wide
You better travel wide
Said I'm a living man
I've got work to do
If you're not happy, children
Then you must be blue
I said, you must be blue
I'm a rebel, soul rebel
I'm a capturer, soul adventurer
I'm a rebel, rebel in the morning time
Soul rebel
I'm a capturer
Soul adventurer
See the morning sun, on the hillside
Not living good, yeah
You better travel wide
You better travel wide
Said I'm a living man
I've got work to do
If you're not happy, children
Then you must be blue
I said, you must be blue
I'm a rebel, rebel in the morning time
Soul rebel
I'm a capturer
Soul adventurer
I'm a rebel, soul rebel
I'm a capturer, soul adventurer
I'm a capturer, soul adventurer
See the morning sun, on the hillside
Not living good, yeah
You better travel wide
You better travel wide
Said I'm a living man
I've got work to do
If you're not happy, children
Then you must be blue
I said, you must be blue
I'm a rebel, soul rebel
I'm a capturer, soul adventurer
I'm a rebel, rebel in the morning time
Soul rebel
I'm a capturer
Soul adventurer
See the morning sun, on the hillside
Not living good, yeah
You better travel wide
You better travel wide
Said I'm a living man
I've got work to do
If you're not happy, children
Then you must be blue
I said, you must be blue
I'm a rebel, rebel in the morning time
Soul rebel
I'm a capturer
Soul adventurer
I'm a rebel, soul rebel
I'm a capturer, soul adventurer
Soul Rebel
UB 40's 'Soul Rebel' stands as a defining track from their 1998 album *Labour Of Love III*, showcasing the group's signature blend of reggae and dancehall rhythms. The song features the band's characteristic vocal harmonies and upbeat tempo, characteristic of their extensive discography that spans decades. Released during a period where UB 40 continued to evolve their sound while maintaining their roots in Jamaican music, the recording exemplifies their ability to fuse traditional reggae elements with modern pop sensibilities. As a staple of their live performances and radio play, the track remains a vibrant representation of the genre's enduring influence on global music culture.

