Catch Myself Catching Myself
Underoath · Anthology 1999-2013 [2012]
Nothing has changed
Nothing has changed like I said it would
Faster towards the ground
That's where they wait where they wait for me
And enter my veins
Feel them crawling through my skin
Collecting my nerves
That they feed to their children
I swear it has to stop
Cause there is nothing left to give
Nothing left to give
I'll be the victor
I will destroy them
I wanna watch them burn it down
So I can breathe again
Inhale cause after tonight
I won't be the same
Exhale, exhale and find my feet
On the ground
I'm not the same anymore
I'm not the same anymore
As I sink down into the floor
And the walls are caving in
And I don't believe in them anymore
Now I try to balance my walk
I am coming down alone
And I have to get them out of my head
I wanna watch them burn it down
So I can breathe again
One breath at a time I'll be just fine
Cause I'll be right on the inside
I steady my hands inside of my shell
And wait till their back are turned
Oh inside my head
Where they thought they would win
But I got them right where I want them
Pushed to either side
I'm burning them alive
I hear them begging and pleading
Catch Myself Catching Myself
Catch Myself Catching Myself stands as a reflective song in Underoath's extensive discography, capturing the band's evolution during their mid-career period. Released on the 2012 compilation Anthology 1999-2013, the track showcases the post-hardcore and alternative metal textures that defined the group's sound during this era. The recording highlights the band's ability to blend melodic sensibilities with heavier instrumentation, a hallmark of their work throughout the 2000s. As part of a collection spanning fourteen years of output, the song offers listeners a concise look at the group's songwriting maturity. It complements other selections from the anthology, demonstrating the consistency and range that have secured Underoath's place in modern rock. The track remains a significant piece of their recorded history, reflecting the emotional depth and sonic experimentation characteristic of their broader body of work.

