Shudder/king Of Snake
Underworld · 1992-2002 [2003]
King of snake
Kkking of snake
Kkking of snake
Kkking of snake
Kkking of snake
Snake
Snake
Snake
Snake
24 hours with the king of snake
Kkking of snake
Dogman and the king of snake
Im on a boast and the king of snake
Dogman and the king of snake
King of snake race
Im on a boast and the king of snake
Dogman and the king of snake
Im on a boast and the king of snake
24 hours with the king of snake
Daily daily daily daily to dream like
Tom and jerry thing
And drink drink drink
And you go ping
Daily daily daily daily to dream like
Tom and jerry thing
And drink drink drink drink
And you go ping
Heat that stuff enough
Right
That stuff enough
Right
That stuff enough
Right [x4]
That stuff enough
Snake
Drink that stuff enough
Right
That stuff enough
Right
That stuff enougha
Right [x4]
That stuff enough
Right
Daily daily daily daily to dream like
Tom and jerry thing
And drink drink drink
And you go ping
Daily daily daily daily to dream like
Tom and jerry thing
And drink drink drink
And you go ping
Heat that stuff enough
Right
That stuff enough
Right [x4]
That stuff enough
Right [x4]
Snake
That stuff enough
Right
That stuff enough
Right
That stuff enough
Right [x4]
That stuff enough
Snake
Up on the mountain
Midnight faces
Everybody got some
Big emotion
Up on the mountain
Big emotion
Same ambition
Kkking of snake snake
Kkking
Snake [x4]
24 hours with the king of snake
King of snake king of snake
24 hours with the king of snake
( snake )
( snake )
( snake )
( snake fighting it's very scary )
( fighting snake )
( really dangerous )
( so its really popular )
( at midnight everybody dancing on the street here )
( everyone with same identity )
( down their saki )
( saki's really strong )
( like vodka )
( really dangerous so )
( everyone get a roll up of new newspaper )
( set it on fire )
( and put it in between )
( snake fighting )
( life )
( strong food and strong drink at midnight )
Shudder/king Of Snake
Underworld's 'Shudder/king Of Snake' stands as a defining track from their seminal 1992-2002 compilation, encapsulating the band's evolution during the early 1990s. The song exemplifies the group's signature blend of industrial electronica and dance rhythms, characterized by driving basslines and atmospheric textures that pushed the boundaries of electronic music at the time. Released alongside other key tracks from this era, the recording reflects Underworld's commitment to creating immersive sonic landscapes that merged complex production with rhythmic intensity. It remains a staple of their discography, illustrating their influence on the genre and their ability to craft memorable works that resonated deeply with audiences worldwide.