We Are [Ana Johnsson]

Spider-Man 2 Soundtrack · Spider-Man 2 [2004]

See the devil on the doorstep now

My oh my

Telling everybody ,oh just how to live their lives

Sliding down the information highway

Buying in just like a bunch of fools

Time is ticking and we can't go back

My oh my



What about the world today

What about the place that we call home

We've never been so many

And we've never been ,

So Alone



Keep watching from your picket fence

You keep talking but it makes no sence

You say we're not responsible

But we are, we are

You wash your hands

You come out clean

But fail to recognize the enemy's within

You say we're not responsible

But we are, we are

We are



One step forward, making two steps back

My oh my

Riding piggy on the bad boys back

For life

Lining up for the grand illusion

No answers for no questions asked

Lining up for the execution

Without knowing why



Keep watching from your picket fence,



It's all about power, bout taking control

Breaking the will ,and raping the soul

They suck us dry 'til there's nothing left

My oh my My oh my



What about the world today

What about the place that we call home

We've never been so many

And we've never been ,

So Alone



Keep watching from your picket fence,



It's all about power, bout taking control

Breaking the will ,and raping the soul

They suck us dry 'til there's nothing left

My oh my



It's all about power, bout taking control

It's all about power, bout taking control

It's all about power, bout taking control

We Are [Ana Johnsson]

Ana Johnsson delivers a hauntingly atmospheric performance on this track from the 2004 Spider-Man 2 soundtrack. Her vocal delivery blends ethereal pop sensibilities with the emotional weight required for the film's narrative, creating a sonic landscape that complements the movie's themes of identity and transformation. The recording sits within a collection of indie and alternative tracks that defined the era's approach to superhero soundtracks, prioritizing mood and lyrical introspection over traditional orchestral bombast. Johnsson's contribution stands as a poignant example of how electronic and indie pop elements were integrated into blockbuster media during the mid-2000s, offering listeners a moment of quiet reflection amidst the film's action sequences.