Invisible Man [Theory of a Deadman]
Spider-Man: Music from and Inspired By Soundtrack · Spider-Man: Music from and Inspired By [OST] [2002]
Staying hard to find
Well I know it ain't easy
But you know I don't mind
I always know where you are, you never know where I am
You got me sneaking around like the invisible man
You'll never know where I've gone, you've gone and done it again
you've got me sneaking around like the invisible man
Going once, going twice, three times, fuck this I'm gone
[Edited version: "Going once, going twice, three times I'm gone"]
You've been looking for days now
Oh but I'm not around
I've been finding new ways how
To see that I'm never found
I always know where you are, you never know where I am
You got me sneaking around like the invisible man
You'll never know where I've gone, you've gone and done it again
you've got me sneaking around like the invisible man
Going once, going twice, three times, fuck this I'm gone
[Edited version: "Going once, going twice, three times I'm gone"]
You can see right through me, outta sight, outta mind
Can you see why it's easy to be the hardest to find
I always know where you are, you never know where I am
You got me sneaking around like the invisible man
You'll never know where I've gone, you've gone and done it again
you've got me sneaking around like the invisible
Like the invisible man
Like the invisible man
Like the invisible man
Like the invisible man
Like I'm invisible
[Explct version: "Going once, going twice, three times, fuck this I'm gone"]
[Edited version: "Going once, going twice, three times I'm gone"]
Invisible Man [Theory of a Deadman]
This track from the 2002 Spider-Man soundtrack features Theory of a Deadman, a project led by Tom Morello, known for blending rock with electronic textures. The song serves as a dynamic musical backdrop to the film's narrative, utilizing the band's signature distorted guitar work and rhythmic intensity to underscore themes of stealth and urban tension. It stands alongside other eclectic contributions from artists like The Strokes and Pete Yorn, creating a cohesive yet varied sonic landscape that defines the film's musical identity. The recording captures the gritty, action-oriented atmosphere of the movie while showcasing the versatility of the soundtrack's collaborative approach.