Sally Was a Good Old Girl

Waylon Jennings · Rhythm And Booze [2011]

(Don Rich)



Sally used to carry my books to school

Sally was a good ole girl

Helped me with my homework 'cause I was a fool

'Cause Sally was a good ole girl.



If you wanted just a kiss or a little bitty squeeze

She was always willing to do her best to please

Yeah, girls were made to love and not made to tease

Sally was a good ole girl.



Yeah, Sally was a good ole girl

Sally was a good ole girl

No matter what the request

She gave it her best

Sally was a good ole girl.



Oh well, Sally's folks were poor but she helped all she could

Sally was a good ole girl

Hardest working girl in the neighborhood

Sally was a good ole girl.



Well, she walked up and down the street all day

Selling neck ties to the one's who'd pay

If they couldn't afford it then she'd give them away

'Cause Sally was a good ole girl.



Yeah, Sally was a good ole girl

Sally was a good ole girl

No matter what the request

She gave it her best

Sally was a good ole girl.



Well, Sally was a good ole girl

Sally was a good ole girl

No matter what the request

She gave it her best

Sally was a good ole girl.



--- Instrumental ---



Well, Sally was a favorite with all of the men

'Cause Sally was a good ole girl

All of the ladies despised her then

'Cause Sally was a good ole girl.



Well, the women talked about her

but Sally didn't care

She kept on a workin' and a doin' her share

She wound up married to a millionare

Sally was a good ole girl.



Yeah, Sally was a good ole girl

Sally was a good ole girl

No matter what the request

She gave it her best

Sally was a good ole girl.



Well, Sally was a good ole girl

Sally was a good ole girl

No matter what the request

She gave it her best

Sally was a good ole girl...

Sally Was a Good Old Girl

Waylon Jennings delivers a quintessential outlaw country performance on 'Sally Was a Good Old Girl,' recorded for the 2011 compilation Rhythm And Booze. The track exemplifies the genre's signature blend of honky-tonk rhythms and heartfelt storytelling, characteristic of Jennings' career peak in the late 1970s. As a staple of his discography, the song captures the essence of the 'Outlaw' movement, featuring Jennings' distinctive vocal delivery and guitar-driven arrangements that defined the era. It stands as a testament to his ability to craft memorable narratives about love and loss, resonating deeply within the country music tradition.