Drivin' Nails in the Wall
Waylon Jennings · Six Strings Away [Bear Family] [1999]
(Harold Gay)
Here I sit drivin' nails in the wall
Thinking I hear someone in my hall
She said that she'd be back in no time at all
Here I sit drivin' nails in the wall.
In the dark that stacks around me
Dreams of you keep pounding me
Leading me to where I've never been
And the voice keeps telling me
This could be insanity
But I know my name as well as you.
Here I sit drivin' nails in the wall
Thinking I hear someone in my hall
She said that she'd be back in no time at all
Here I sit drivin' nails in the wall.
In the wilted patterns of my mind
Find that I've left you behind
Sowing up my torn memories
Surviving living, three bed room
Electric kitchen and living room
Just burning and it's on a new free way
Here I sit drivin' nails in the wall
Thinking I hear someone in my hall
She said that she'd be back in no time at all
When she is back I'm gonna nail to the wall...
Here I sit drivin' nails in the wall
Thinking I hear someone in my hall
She said that she'd be back in no time at all
Here I sit drivin' nails in the wall.
In the dark that stacks around me
Dreams of you keep pounding me
Leading me to where I've never been
And the voice keeps telling me
This could be insanity
But I know my name as well as you.
Here I sit drivin' nails in the wall
Thinking I hear someone in my hall
She said that she'd be back in no time at all
Here I sit drivin' nails in the wall.
In the wilted patterns of my mind
Find that I've left you behind
Sowing up my torn memories
Surviving living, three bed room
Electric kitchen and living room
Just burning and it's on a new free way
Here I sit drivin' nails in the wall
Thinking I hear someone in my hall
She said that she'd be back in no time at all
When she is back I'm gonna nail to the wall...
Drivin' Nails in the Wall
Waylon Jennings delivers a gritty, country-rock performance on 'Drivin' Nails in the Wall,' a track that epitomizes his 'Outlaw' era sound. Recorded for the compilation 'Six Strings Away,' the song showcases Jennings' signature raspy vocal style and his ability to blend traditional country with rock instrumentation. The recording features a raw, unpolished aesthetic that defined the movement of country music artists rejecting mainstream Nashville production in the late 1970s and early 1980s. As part of a collection of tracks highlighting his solo career, the song reflects the rebellious spirit and musical independence that made Jennings a pivotal figure in the genre's history.

