Copperhead Road

Steve Earle · Live at the BBC [2009]

Well my name's John Lee Pettimore

Same as my daddy and his daddy before

You hardly ever saw Grandaddy down here

He only come a town about twice a year

He'd buy a hundred pounds of yeast and some copper line

Everybody knew that he made moonshine

Now the revenue man wanted Grandaddy bad

He headed up the holler with everything he had

It's before my time but I've been told

He never come back from Copperhead Road



Now Daddy ran whiskey in a big block Dodge

Bought it at an auction at the Mason's Lodge

Johnson County Sheriff painted on the side

Just shot a coat of primer then he looked inside

Well him and my uncle tore that engine down

I still remember that rumblin' sound

When the sheriff came around in the middle of the night

Heard mama cryin', knew something wasn't right

He was headed down to Knoxville with the weekly load

You could smell the whiskey burnin' down Copperhead Road



I volunteered for the Army on my birthday

They draft the white trash first,'round here anyway

I done two tours of duty in Vietnam

I came home with a brand new plan

I take the seed from Colombia and Mexico

I just plant it up the holler down Copperhead Road

Now the D.E.A.'s got a chopper in the air

I wake up screaming like I'm back over there

I learned a thing or two from Charlie don't you know

You better stay away from Copperhead Road



Copperhead Road

Copperhead Road

Copperhead Road

Copperhead Road

Steve Earle's "Copperhead Road" stands as a defining anthem of American folk-rock, capturing the weary spirit of the working class with unflinching honesty. Recorded live at the BBC in 2009, the track showcases Earle's signature blend of acoustic guitar, resonant vocals, and socially conscious storytelling. The song's narrative follows a protagonist navigating the harsh realities of rural life, reflecting Earle's lifelong commitment to documenting the struggles of ordinary people. Its enduring popularity stems from its raw emotional core and Earle's distinctive delivery, which has cemented the song's place in the canon of protest and folk music. The recording serves as a testament to Earle's ability to transform personal observation into universal art, resonating with listeners who appreciate music that speaks to the human condition.