Hit It And Quit It
Funkadelic · Motor City Madness [2004]
Good god, hit it and quit it
I want you to, hooo-whoaa
Oh mama, hit it
Good god, hit it and quit it
I want you to, ohhhh, oh yeah
Oh mama, hit it
Good god, hit it and quit it
I want you to, oooh, oooh, oooh, oooh
You can shake it to the east
Shake it to the west
Hit it
Good god, hit it and quit it
Yeah, all up and down
And move it all around
Hit it
Good god, hit it and quit it
Yeah
You can shake it for dinner
Or you could spread it all around
Hit it
Good god, hit and quit it
I want you to hit it and quit it (x 11)
You can shake it to the east
Shake it to the west
Hit it
Good god, hit it and quit it
You can shake it to the one you love the best
Hit it
Ha, hit it and quit it
Ahh, good god, hit it and quit it
Ooh, good god, hit it and quit it
Oh, good god, hit it and quit it
Quit it, quit it, quit it
OK play that down from the top
Hit It And Quit It
Funkadelic's "Hit It And Quit It" stands as a quintessential example of their psychedelic soul and funk mastery, originally recorded for the landmark 1971 album *Maggot Brain*. The track exemplifies the band's signature sound, blending intricate guitar work, driving basslines, and the distinctive vocal harmonies of George Clinton and Marcus Mumford. As a cornerstone of the Philadelphia International Records catalog, the song captures the raw energy and improvisational spirit that defined the early 1970s funk movement. Its enduring appeal lies in its rhythmic complexity and the seamless fusion of rock and soul elements, cementing Funkadelic's legacy as pioneers of the genre. The recording remains a vital part of their discography, showcasing the band's ability to create immersive sonic landscapes that continue to influence modern music.