Workin' Man Blues

Merle Haggard · Hag-The Studio Recordings 1969-1976 [2007]

(Merle Haggard)



It's a big job just gettin' by with nine kids and a wife

I been a workin' man dang near all my life

I'll be working long as my two hands are fit to use

I'll drink my beer in a tavern,

Sing a little bit of these working man blues.



I keep my nose on the grindstone, I work hard every day

Might get a little tired on the weekend, after I draw my pay

But I'll go back workin, come Monday morning I'm right back with the crew

I'll drink a little beer that evening,

Sing a little bit of these working man blues.



Hey, hey, the working man, the working man like me

I ain't never been on welfare, that's one place I won't be

'Cause I'll be working long as my two hands are fit to use

I drink a little beer in a tavern

Sing a little bit of these working man blues.



Sometimes I think about leaving, do a little bummin around

I wanna throw my bills out the window catch a train to another town

But I go back working I gotta buy my kids a brand new pair of shoes

Yeah, drink a little beer in a tavern,

Cry a little bit of these working man blues.



--- Instrumental ---



Hey, hey, the working man, the working man like me

I ain't never been on welfare, that's one place I won't be

'Cause I'll be working long as my two hands are fit to use

I drink a little beer in a tavern

Sing a little bit of these working man blues.



Yeah, drink a little beer in a tavern,

Cry a little bit of these working man blues...

Workin' Man Blues

Merle Haggard's 'Workin' Man Blues' stands as a quintessential example of his mastery of the outlaw country and bluegrass styles. Recorded during the late 1960s and 1970s, the track exemplifies the narrative storytelling that defined his discography, focusing on the struggles and dignity of laborers. The song's acoustic instrumentation and Haggard's distinctive vocal delivery capture the weary yet resilient spirit of the working class, a recurring theme in his body of work. Released on the compilation 'Hag-The Studio Recordings 1969-1976', the recording showcases the raw, unpolished authenticity that made him a legend. It remains a staple in the genre, reflecting the social realities of the era through a lens of rugged individualism and folk tradition.