Let's Stop Pretending
Merle Haggard · Hag-The Studio Recordings 1969-1976 [2007]
Let's stop pretending the whole world is happy
And the wrong things we're doin' are right
Old faded blue jeans with a patch on the pocket
Won't wipe out what keeps us uptight.
This song I'm singin' won't be worth my time
If you don't understand what I mean
Let's stop pretending that pole cats don't smell
And dirty ole hatbands are clean.
We're all on vacation with no peace of mind
And really not havin' much fun
We need some noses back down on the grindstone
Cause we've got some work to be done.
Let's stop complainin' and face up to life
And weed out the bad seed we've sown
Let's keep in mind we're the home of the brave
For the sake of ole Glory alone.
Let's stop pretending we know all the answers
And bow down our thick heads and pray
Denying the problems we now have upon us
Won't keep them hard times away.
This song I'm singin' won't be worth my time
If you don't understand what I mean
Let's stop pretending that pole cats don't smell
And dirty ole hatbands are clean.
--- Instrumental ---
This song I'm singin' won't be worth my time
If you don't understand what I mean
Let's stop pretending that pole cats don't smell
And dirty ole hatbands are clean...
Let's Stop Pretending
Merle Haggard's "Let's Stop Pretending" stands as a quintessential example of his mature country storytelling, reflecting the weary optimism found in his later recordings. Recorded during the late 1960s and released on the comprehensive "Hag-The Studio Recordings 1969-1976" collection, the track captures the essence of the outlaw country movement while adhering to traditional honky-tonk sensibilities. Haggard's signature vocal delivery delivers a message of authenticity and resignation, urging listeners to abandon false pretenses in favor of honest living. The song complements his broader discography of works addressing personal struggle and social observation, cementing his reputation as a chronicler of the American experience. As a staple of his catalog, the recording remains a powerful testament to his ability to blend narrative depth with melodic appeal.

