Let's Stop Pretending

Merle Haggard · Hag-The Studio Recordings 1969-1976 [2007]

(Merle Haggard)



Let's stop pretending the whole world is happy

And the wrong things we're doin' are right

Old faded blue jeans with a patch on the pocket

Won't wipe out what keeps us uptight.



This song I'm singin' won't be worth my time

If you don't understand what I mean

Let's stop pretending that pole cats don't smell

And dirty ole hatbands are clean.



We're all on vacation with no peace of mind

And really not havin' much fun

We need some noses back down on the grindstone

Cause we've got some work to be done.



Let's stop complainin' and face up to life

And weed out the bad seed we've sown

Let's keep in mind we're the home of the brave

For the sake of ole Glory alone.



Let's stop pretending we know all the answers

And bow down our thick heads and pray

Denying the problems we now have upon us

Won't keep them hard times away.



This song I'm singin' won't be worth my time

If you don't understand what I mean

Let's stop pretending that pole cats don't smell

And dirty ole hatbands are clean.



--- Instrumental ---



This song I'm singin' won't be worth my time

If you don't understand what I mean

Let's stop pretending that pole cats don't smell

And dirty ole hatbands are clean...

Let's Stop Pretending

Merle Haggard's "Let's Stop Pretending" stands as a quintessential example of his mature country storytelling, reflecting the weary optimism found in his later recordings. Recorded during the late 1960s and released on the comprehensive "Hag-The Studio Recordings 1969-1976" collection, the track captures the essence of the outlaw country movement while adhering to traditional honky-tonk sensibilities. Haggard's signature vocal delivery delivers a message of authenticity and resignation, urging listeners to abandon false pretenses in favor of honest living. The song complements his broader discography of works addressing personal struggle and social observation, cementing his reputation as a chronicler of the American experience. As a staple of his catalog, the recording remains a powerful testament to his ability to blend narrative depth with melodic appeal.