Korean Parents

Randy Newman · Harps & Angels [2008]

Kids today got problems

Liek their parents never had

Neighborhoods are dangerous

The public schools are bad

At home there are distractions so irresistible

The hours fly by

No work gets done



Some Jewish kids still trying

Some white kids trying too

But millions of real American kids don't have a clue

Right here on the lot

We got the answer

A product guaranteed to satisfy



Korean parents for sale

You say you're not all that you want to be

You say you got a bad environment

Your work at school's not going well



Korean parents for sale

You say you need a little discipline

Someone to whip you into shape

They'll be strict but they'll be fair



Look at the numbers

That's all I ask

Who's at the head of every class?

You really think they're smarter than you are

They just work their asses off

Their parents make them do it



[Saleslady]:

Oh, learn to play the violin

Oh, to turn your homework in right on time



What a load off your back that will be

No tears

No regret

Never forget who sent Fido to the farm



The greatest generation

Your parents aren't the greatest generation

So sick of hearing about the greatest generation

That generation could be you

So let's see what you can do

Korean parents and you

Korean Parents

Randy Newman's 'Korean Parents' appears on his 2008 album Harps & Angels, continuing his long tradition of blending sharp social observation with melodic sophistication. The track reflects Newman's signature style, utilizing a wry, conversational tone to explore themes of family dynamics and cultural expectations. As a veteran songwriter known for his ability to find humor in the mundane, Newman crafts a narrative that feels both intimate and universally relatable. This recording stands as part of a rich discography that has consistently challenged listeners with its unique blend of satire and genuine emotion. The song showcases his enduring ability to create memorable characters and scenarios through music, cementing his status as a distinctive voice in American songwriting.