Big Branch

M.I.A. · Kala [2007]

Big branch



Big bad wolf

Came over to my ranch

Took all my land

Left me with a branch

That's how I felt about the

Loving that I had

That I know about the girls he had



Bring her to my door now

Bring me that ho

Put her on the table

And put her in my claw

I'll put her down in my jaw

To my belly, to my toe

I'll shit on that ho

And drop her to the floor



Big branch



Men are like pearls

They look good with my curls

I string em to get the best necklace in the world

In the states of the world

All women wanna lay

But it's man's world so keep him at bay

You can fuck a man, mack a man

Tell 'em that you're gay

Tell him real love ain't on BET

Sex is so cheap, I get it at KFC

When its meaningless why they do R&B



Bring her to my door now

Bring me that ho

Put her on the table

And put her in my claw

I'll put her down in my jaw

To my belly, to my toe

I'll shit on that ho

And drop her to the floor



Big branch



I ate my chips and I washed my plate

Thought about women that take that bait

Men with stamina or money on the plate

Can get a woman thinking her period is late

Thanks to Jesus, I got my own estate

If I let you in, will you run off with my maid?

All men are just so fickle these days

To find a really good one

I keep on getting laid



Bring her to my door now

Bring me that ho

Put her on the table

And put her in my claw

I'll put her down in my jaw

To my belly, to my toe

I'll shit on that ho

And drop her to the floor

Big Branch

Released on M.I.A.'s 2007 album Kala, 'Big Branch' exemplifies the artist's signature fusion of electronic beats with rhythmic, spoken-word vocals. The track reflects the album's exploration of identity and cultural heritage, utilizing a driving bassline and intricate percussion to create an immersive soundscape. As part of her broader discography, the song maintains the high-energy, global fusion style that characterized her work during the mid-2000s, blending elements of hip-hop, reggae, and world music. The recording stands as a testament to her ability to construct complex, layered tracks that challenge conventional pop structures while delivering a distinct, memorable sonic identity.