The Son of Jesus

Jefferson Airplane · Long John Silver [1972]

Jesus had a son by Mary Magdalene and he rode the land like the man who

went before

young Jesus raised him loud, mother Mary raised him proud and he tracked

the men who laid his father down

one day the Pilate died with the fire in his side Herod

did die too not the=

way

he wanted to y'see the child knew the secrets of Egypt & Isis

Magdalene remembered when the people smiled and had been looser looser

than they'd been since the day young Jesus died public execution enhanced

by levitation fancy mutilation for 2.000 years of time

Jesus could walk on the water the man could dance on the sea of Galilee

but don't try breathing the water miracles go only so far you see



so you think young Jesus Christ never a lady and you think young Mary

never saw him smile wide & free you won't read it in the bible & if you

look you're liable ta come across the truth about the man from Galilee she=

the man upon the water they had a son they had a daughter she hid them

from the slaughter in the deep Black Sea

God loved the son of Jesus Ol' God got off on the spaklin'

daughter too, yes=

he did Jesus could walk on the water the man could dance on the Sea of

Galilee

watch him dance watch him dance watch him dance dance dance

The Son of Jesus

Released on Jefferson Airplane's 1972 album Long John Silver, The Son of Jesus stands as a poignant reflection on the spiritual and social currents of the late 1960s. The track captures the band's evolving sound, blending psychedelic rock with a more introspective, folk-influenced tone that moved away from the overtly satanic themes of their earlier work. Recorded during a period when the group was navigating the complexities of the counterculture movement, the song serves as a commentary on faith, identity, and the search for meaning. Its inclusion on the album highlights the band's continued relevance and their ability to address profound human questions through their music, cementing their legacy as pioneers of the era's most significant rock sound.