No Money Down
Lou Reed · Mistrial [1986]
in the way I handled things
You're thinking I misread the times
and acted cowardly
And since what I do affects us both
and you feel that I let you down
You're paying a price when there is no price to pay
lovers trust, No Money Down
You're paying a price when there is no price to pay
lovers trust, No Money Down
(Hey! lover)
(Hey! lover)
(lover)
They say there's someone for everyone
and for everyone a someone
And some tattoo roses across their chests
with a heart that says Rollo
And some work without a Public Relations man
and do their best work, baby, out of sight
You're paying a price when there is no price to pay
lovers trust, No Money Down
You're paying a price when there is no price to pay
lovers trust, No Money Down
(Hey! lover)
(Hey! lover)
(lover)
Now I have known a hero or two
and they all learn to swim through mud
And they all got boots caked with dirty soles
that they get from Squashing bugs
So when push comes to shove get the Harley revved up
the moon can eclipse even the sun
You're paying a price when there is no price to pay
lovers trust, No Money Down
You're paying a price when there is no price to pay
lovers trust, No Money Down
Lovers trust, No Money Down (Hey! lover)
Yes, lovers trust, No Money Down (Hey! lover)
Lovers trust, No Money Down (Hey! hey! lover)
Lovers trust, No Money Down (Hey! hey! lover)
(Hey! hey! lover)
(Hey! hey! lover)
...
About No Money Down
"No Money Down" is a haunting track from Lou Reed's 1986 album *Mistrial*, marking a significant shift in his musical direction toward a more experimental and electronic sound. Recorded during a period of intense personal turmoil and creative reinvention, the song features Reed's signature raw vocal delivery layered over synthesizers and drum machines, reflecting the fragmented nature of his life at the time. The piece stands as a pivotal moment in his later discography, bridging the gap between his classic rock roots and the avant-garde influences that would define his final years. Its atmospheric texture and emotional depth have cemented its place as a defining recording of the late 1980s, showcasing Reed's enduring ability to translate personal angst into universal sonic landscapes.

