Mojo Pin

Jeff Buckley · Original Album Classics 2 [2011]

I'm lying in my bed

The blanket is warm

This body will never be safe from harm

Still feel your hair, black ribbons of coal

Touch my skin to keep me whole



If only you'd come back to me

If you laid at my side

Wouldn't need no mojo pin

To keep me satisfied



Don't want to weep for you

I don't want to know

I'm blind and tortured, the white horses flow

The memories fire

The rhythms fall slow

Black beauty, I love you so



Precious, precious silver and gold

And pearls in oyster's flesh

Drop down we two to serve and pray to love

Born again from the rhythm screaming down from heaven

Ageless, ageless, and I'm there in your arms



Don't want to weep for you

I don't want to know

I'm blind and tortured, the white horses flow

The memories fire

The rhythms fall slow

Black beauty, I love you so



The welts of your scorn

My love, give me more

Send whips of opinion down my back

Give me more

Well, it's you I've waited my life to see

It's you I've searched so hard for



Don't want to weep for you

I don't want to know

I'm blind and tortured, the white horses flow

The memories fire

The rhythms fall slow

Black beauty, I love you so

Black, black, black beauty

Mojo Pin

Mojo Pin stands as a defining track from Jeff Buckley's seminal 1994 album, Grace. The song showcases Buckley's unique ability to blend rock intensity with delicate, introspective songwriting. Musically, the recording features a distinctive, driving rhythm section that contrasts with Buckley's soaring, emotive vocals. The composition reflects the experimental nature of the album, moving away from standard pop structures to create a dynamic soundscape. As a key part of his discography, the track highlights the artist's exploration of complex emotional themes through powerful instrumentation. It remains a staple of his live performances and a testament to his enduring influence on alternative rock. The song's energy and lyrical depth continue to resonate with listeners, securing its place within the broader context of Buckley's celebrated body of work.