My Best Friend's Girl

The Cars · The Cars Definitive Collection [2002]

You're always dancing down the street

With your suede blue eyes

And every new boy that you meet

He doesn't know the real surprise



Here she comes again

When she's dancing 'neath the starry sky

She'll make you flip (here she comes again)

When she's dancing 'neath the starry sky

You kinda like the way she dips



She's my best friend's girl

She's my best friend's girl

And she used to be mine



You've got your nuclear boots

And your drip dry gloves

And when you bite your lip

It's some reaction to love, the love, a love



Here she comes again

When she's dancing 'neath the starry sky

She'll make you flip (here she comes again)

When she's dancing 'neath the starry sky (here she comes again)

You kinda like the way, ya like the way she dips



She's my best friend's girl

She's my best friend's girl, oh

And she used to be mine

She's so fine



You're always dancing down the street

With your suede blue eyes

And every new boy that you meet

He doesn't know the real surprise



Here she comes again

When she's dancing 'neath the starry sky

She'll make you flip (here she comes again)

When she's dancing 'neath the starry sky (here she comes again)

You kinda like the way, ya like the way she dips



She's my best friend's girl

She's my best friend's girl, oh

And she used to be mine

She's so fine



My best friend's girl friend

My best friend's girl friend (she used to be mine)

My best friend's girl friend (she's so fine)

My best friend's girl friend

My best friend's girl friend

My best friend's girl friend

My Best Friend's Girl

Released in 1978 on The Cars' debut album, 'My Best Friend's Girl' stands as a defining track of the new wave movement. Written by Ric Ocasek and performed by the band, the song blends synth-driven pop with a driving rhythm guitar line that became a signature of their sound. It explores themes of romantic confusion and the complexities of friendship, delivered with a cool detachment that became the band's hallmark. The track remains a staple of their discography, often cited as a quintessential example of late 1970s pop-rock that bridged the gap between punk energy and melodic sophistication.