Billy Bayou

Kitty Wells · Kitty Wells Sings Songs Made Famous by Jim Reeves [1966]

(Roger Miller)



Back about eighteen hundred and some

A Louisiana couple had a red headed son

No name soothe him Jim, Jack or Joe

They just called him Billy Bayou.



Billy, Billy Bayou, watch where you go

You're walkin' on quick sand and walk slow

Billy, Billy Bayou, watch what you say

A pretty girl'll get you one of these days.



--- Instrumental ---



Billy was a boy, kinda big for a size

Red hair and freckles and big blue eyes

Thirteen years from the day he was born

Bill fought the battle of the Little Big Horn.



Billy, Billy Bayou, watch where you go

You're walkin' on quick sand and walk slow

Billy, Billy Bayou, watch what you say

A pretty girl'll get you one of these days.



--- Instrumental ---



One sad day Billy cried, hoho

I can whip the feathers of Geronimo

He smarted off, the chief got mad

This nearly ended our Louisiana lad.



Billy, Billy Bayou, watch where you go

You're walkin' on quick sand and walk slow

Billy, Billy Bayou, watch what you say

A pretty girl'll get you one of these days.



--- Instrumental ---



One day in 1878 a pretty girl

Walked through Billy's front gate

He didn't know whether to stand there or run

He would up married cause he did neighter one.



Billy, Billy Bayou, watch where you go

You're walkin' on quick sand and walk slow

Billy, Billy Bayou, watch what you say

A pretty girl'll get you one of these days.



A pretty girl'll get you one of these days...

Billy Bayou

Kitty Wells' 1966 recording of 'Billy Bayou' stands as a pivotal moment in country music history, marking her transition from a pure country star to a versatile interpreter of pop standards. Originally a hit for Jim Reeves, Wells' version brought a distinct Southern drawl and emotional depth to the song, cementing her reputation as a master of vocal nuance. Released on her album 'Kitty Wells Sings Songs Made Famous by Jim Reeves,' the track exemplifies her ability to adapt material across genres while maintaining her signature storytelling style. This recording remains a celebrated example of mid-1960s country-pop crossover, showcasing Wells' enduring influence and technical skill as one of the era's most respected vocalists.