Paul's Ministry
Kitty Wells · Singing on Sunday [1962]
(William Travel)
The Lord said stand up Paul and dry up your tears
You must preach my gospel for many long years
Go to the Master the way that is straight
You'll meet in an isle and there you must wait.
I counted on Jonah, I counted on Cain
I counted on Adam but he was the same
I counted on Judas but he proved untrue
Oh, go tell the world Paul, I'm counting on you.
--- Instrumental ---
Three days have gone by Lord, and yet I don't see
But here stands my brother a talking with me
He says brother call the Lord in the sky
He sends me to heal you and open your eyes.
I'll send you to the Gentals, I'll send you to Rome
But Paul you must suffer till I call you home
You'll sleep in the desert, you'll be wrecked out at sea
But keep right on preaching my gospel for me...
The Lord said stand up Paul and dry up your tears
You must preach my gospel for many long years
Go to the Master the way that is straight
You'll meet in an isle and there you must wait.
I counted on Jonah, I counted on Cain
I counted on Adam but he was the same
I counted on Judas but he proved untrue
Oh, go tell the world Paul, I'm counting on you.
--- Instrumental ---
Three days have gone by Lord, and yet I don't see
But here stands my brother a talking with me
He says brother call the Lord in the sky
He sends me to heal you and open your eyes.
I'll send you to the Gentals, I'll send you to Rome
But Paul you must suffer till I call you home
You'll sleep in the desert, you'll be wrecked out at sea
But keep right on preaching my gospel for me...
Paul's Ministry
Kitty Wells' 1962 recording of 'Paul's Ministry' stands as a poignant testament to her mastery of gospel-infused country music. Released on the album Singing on Sunday, the track showcases Wells' distinctive vocal style, blending the emotional depth of religious hymns with the storytelling tradition of the American South. As one of her most spiritually resonant works, the song reflects the era's intersection of faith and folk narrative, highlighting her ability to convey solemnity and devotion without relying on overt religious imagery. The recording remains a significant song in her discography, illustrating her commitment to authentic musical expression that bridged secular country and sacred song.