The Sha-La Bandit (Alternate Version 2)

Supremes · Let Yourself Go - The '70s Albums, Vol. 2 - 1974-1977 [2011]

(Jerry Lang Ferguson, Wade Davis, Sr.)



Ooh ooh ooh ooh ooh ooh (Sha la la la la)

Ooh ooh ooh ooh ooh

Ooh ooh ooh ooh ooh ooh (Sha la la la la)

Ooh ooh ooh ooh ooh (La)

Ooh ooh ooh ooh ooh ooh (Sha la la la la)

Ooh ooh ooh ooh ooh

Ooh ooh ooh ooh ooh ooh (Sha la la la la)

Ooh ooh ooh ooh ooh (La)



Girls, beware of the bandit

From Westchester County

I can offer you no reward

All he left me was a broken heart

He kidnapped me excitingly

When he round me up my dignity

And when enough of his time was spent,

He left me wanting more (sha la la a la)

Sha la la la (sha la la la la)

He left me wanting more (sha la la la la)

Sha la la (sha la la la la)

(La)



Be careful, my sisters (be careful, my sisters)

He's armed with an innocent smile

And a dangerous love record

That can stretched for miles and miles

Hey, girls... you ought a take a hint

'Cause he won't leave no fingerprints

And when he gets his hands on you,

He'll have you wanting more (sha la la la la)

Sha la la (sha la la la la)

He'll have you wanting more (sha la la la la)

Sha la la (sha la la la la)

(La)



[interlude]



For your female information,

You might be in the same situation

He might be sitting right next to you

Westchester County is right there, too

Hey, girls... I got a confession to make

If they put that bandit in jail,

I'm gonna jump right in his cell

There's something about his (sha la la la la)

Oh oh oh oh ooooh, yeah (sha la la la la)

There's something about his (sha la la la la)

Sha la la la la ahhhhhhh (sha la la la la)

(La) The way he makes me groove, oo-oooooooo-ooh

(sha la la la la)

There's something about his (sha la la la la)

The Sha-La Bandit (Alternate Version 2)

The Supremes deliver a vibrant, upbeat track on this 2011 compilation, showcasing their signature mid-to-late 1970s sound. Recorded during a period when the group continued to evolve their style while maintaining their status as one of Motown's most enduring acts, the song features the distinctive vocal interplay characteristic of their work from the 1974 to 1977 era. This alternate version offers a fresh take on the material, highlighting the group's ability to craft catchy, danceable pop records that blended R&B sensibilities with polished production. The recording stands as a testament to their longevity and musical versatility, capturing the energy of their performances during this specific chapter of their discography.