Hajde da

Bebi Dol · Other Songs - Bebi Dol

Plav je decko, plav je kao san
vodi avanture ceo dan
plavo nebo zuji iznad nas
mirise sav na letnji dan

Poljupci kao ruze, usne kao somot fine
pocrvene i naduze, poljupci tad klize
zuji podne, zuje pcele
svog decka vidim oko mene
usne tople, ruze meke dve
pokrile me, pokrile

Poljupci kao ruze, usne kao somot fine
pocrvene i naduze, poljupci tad klize

Ref.
Hajde da uzmemo neki dobar auto
i odeme negde gde nikog nema, daleko
da spavamo i da se kupamo po celi dan
kad padne mrak
na drugoj strani reke svetli grad

Ne postoji nista lepse
od neke takve uzivancije
kad mislis kako sve je propalo
a onda spast ti stigne

Poljupci kao ruze, usne kao somot fine
pocrvene i naduze, poljupci tad klize
zuji podne, zuje pcele
svog decka vidim oko mene
usne tople, ruze meke dve
pokrile me, pokrile

Poljupci kao ruze, usne kao somot fine
pocrvene i naduze, poljupci tad klize

Ref. 2x

Svetli grad, kad padne mrak
kad padne mrak, kad padne mrak
na drugoj strani reke svetli grad

Ref. 2x

Svetli grad, kad padne mrak
kad padne mrak, kad padne mrak
na drugoj strani reke svetli grad

Ref. 2x

Hajde da by Bebi Dol

Bebi Dol's 'Hajde da' stands as a defining track within the Yugoslav pop landscape, capturing the vibrant energy and emotional depth characteristic of the region's musical heritage. Released during a period where Balkan pop was gaining significant international traction, the song exemplifies the genre's fusion of traditional folk melodies with modern production techniques. As a staple in the artist's discography, the recording reflects the broader cultural movement that sought to celebrate local identity while embracing contemporary sounds. The track remains a notable example of how regional artists successfully navigated the transition from local radio dominance to global digital platforms, contributing to a rich tapestry of music that resonates across generations.