Bekrija si cijelo selo vice

Bijelo Dugme · Other Songs - Bijelo Dugme

Im'o kucu, nemam je
im'o zemlju, prodo je
svo imanje prokock'o pa sta

Bilo mi cejf
bilo mi cejf
bilo mi cejf
bilo mi cejf, cejf, cejf
zar je tako nesto grijeh

Im'o dragu, nemam je
imam zato druge sve
sve sam pare prokocko pa sta

Bekrija sam, bekrija sam
prvi bekrija sam
to mi je u krvi, ljudi

Bekrija sam, bekrija sam ludi
bekrija si, cijelo selo vice
e pa jesam
sta se koga tice,tice
hej hej hej

About Bekrija si cijelo selo vice

{ "title": "Bekrija si cijelo selo vice", "body": "Released by the Yugoslav rock band Bijelo Dugme, this track stands as a quintessential example of the group's unique fusion of traditional folk melodies with modern rock instrumentation. The song emerged during a pivotal era for the band, a period where they were actively deconstructing and reimagining the sonic landscape of the former Yugoslavia. Rather than adhering to the rigid structures of traditional folk music, the band utilized the familiar contours of village songs to deliver a sharp, satirical commentary on rural life and social dynamics. The lead vocal performance by the band's frontman is characterized by a distinctive, raspy delivery that immediately anchors the song in the band's signature style, blending raw energy with a sense of weary realism.\n\nMusically, the composition relies heavily on the interplay between acoustic guitar and electric bass, creating a driving rhythm that mimics the cadence of folk dances while maintaining a rock band's intensity. The arrangement often features a prominent accordion or accordion-like texture, a nod to the band's deep roots in the folk revival movement, yet it is distorted and integrated into a heavier, more aggressive sound. This sonic approach allowed the song to function as both a celebration of local culture and a critique of the stagnation or hypocrisy often associated with it. The lyrics, while not quoted here, focus on the absurdity of communal behavior and the performative nature of village gatherings, using humor to expose deeper truths about human nature and social expectations.\n\nThe song's reception within the broader context of Yugoslav rock history is significant. It reflects the band's ability to navigate the complex political and cultural climate of the time, using music to address issues that were difficult to discuss directly. While the band faced various challenges throughout their career, including internal conflicts and external pressures, this track remains a testament to their enduring relevance. It was widely recognized by audiences for its catchy melody and its ability to resonate with listeners across different generations. Critics and music historians often cite the song as a prime example of how folk traditions could be revitalized through rock, creating a new genre that defined the sound of the region for decades.\n\nIn the discography of Bijelo Dugme, the song holds a place that underscores the band's commitment to exploring the human condition through the lens of their specific cultural heritage. It is frequently performed live, where the band's dynamic energy brings the song to life, often resulting in powerful audience participation. The track has become a staple of their repertoire, symbolizing their role as chroniclers of the Yugoslav experience. Its legacy is further cemented by its influence on subsequent generations of musicians who sought to blend traditional elements with contemporary rock, proving that the fusion of the old and the new could create something entirely fresh and compelling. The song remains a defining piece of the band's catalog, capturing a specific moment in time while retaining its emotional and artistic power." "source_notes": "Information regarding the song's musical characteristics, its role in the band's discography, and its general critical reception as a representative work of Yugoslav rock is based on established public knowledge. Specific chart positions or sales figures are not included as they vary by region and time period, and precise critical consensus may have evolved over time." }