Di si ti
Daleka Obala · Other Songs - Daleka Obala
ja ga nebi cuja
i pisma da se cuje
ja je cuja nebi
I uvik kad sam takav
ja razmisljam o tebi
voljena moja
A to je tako cesto
pa i u snu se budim
i pocet cu sam sebe da kudim
i da se nazivam ludim
I pocet cu da te mrzim
voljena moja
i ne samo da cu poceti
nego to i cinim
I sve cu nase izbrisati
i reci cu svima inim
da te mrzim i ostavljam
voljena moja, ljubavi moja
Ref.
Di si ti, di si ti, di si ti
dok te moja ljubav trazi
samo kazi, kazi
di si ti, di si ti
dok te moja ljubav treba
samo kazi, kazi di si ti
A zato ne tribaju mi
ni suze, ni price, psovke
poljupci, ni dar
nitko izgubit time nista nece
Jer nikad nismo
bili zaljubljeni par
stihove sto sada reka sam
tebi, spontane su rici
Bez skice, bez kroja
i kazem ti naglas
sa kria sam u sebi
'oces li biti voljena moja
I na kraju te molim
voljena moja
da nikome ne kazes
ovo, da sutis
Neka ovo bude mala
tajna moja i tvoja
i nemoj zbog ove
pisme da se ljutis
Jer ti ces uvik biti
uvik voljena moja
Ref.
Di si ti, di si ti
ispod ovog modrog neba
dok te moja ljubav treba
di si ti, di si ti, di si
di si ti, di si ti
di si ti, di si ti
Di si ti
Di si ti stands as a defining track within the YUG genre, showcasing the distinctive sound of Daleka Obala. The recording captures the atmospheric and emotive qualities characteristic of the group's broader discography, blending melodic sensibilities with the rhythmic textures common to Yugoslav music. While the song operates as a standalone piece, it reflects the artistic direction found in other notable works by the ensemble, such as Marica and Brod blues. The track exemplifies the band's ability to craft memorable compositions that resonate with listeners familiar with the region's musical heritage. Its enduring presence in the catalogue highlights the group's contribution to the genre, offering a sonic experience that remains relevant to fans of the style. The song serves as an accessible song point into the band's body of work, demonstrating their consistent approach to songwriting and arrangement.