Nema vise cile mile (duet Mile Kitic)

Djogani · Other Songs - Djogani

E, pa nema vise cile mile
stig'o Mile, Kitic Mile
kazi, Mile, Mile, brate
neka cuju, neka shvate, brate

Srce je moje na Balkanu

Kakve su im gore zene
ima li mesta tu za mene
da li imam makar sansu
za jednu malu bed romansu ja

Ma, nemoj brate na tu stranu

Trazicu te preko ambasade
bas me briga da li takve stvari rade
hocu vizu, hitno idem tebi
koja zena kada voli ne bi

Ni svedjanke, ni nemice
ti nisu ni do kolena
da s njima predjem granice
ma, nema sanse, voljena

Ni Francuska, ni Svajcarska
nisu tvoja sudbina
zove dusa balkanska
nema sanse, voljena

Ref.
Cet'ri strane sveta, putujem Evropom
al' nigde mi nije kao kad sam s tobom
milioni ljudi, ne zna im se broja
al' samo se jedna zove ljubav moja

Pricaj, sta ima novo u belom svetu
stignes li neku u letu
ne budi takav, hajde barem
da delimo takav harem barem

Ma, veruj to za tebe nije

Kako mislis nije
zar se to od mene nesto krije
e, bas bi bila steta da posle ovog dueta
ne probam sve zena sveta

Tudje sunce lose grije

Sticu cu te makar preko suda
bas me briga, neka misle da sam luda
sve je ovo deo moga plana
tananananana

Ref.

Cet'ri strane sveta, putujem Evropom
al' nigde mi nije kao kad sam s tobom
milioni ljudi, ne zna im se broja
al' samo se jedna zove

Ref.

Nema više čile mile

Djogani's 'Nema više čile mile' stands as a defining track within the Yugoslav pop landscape, characterized by its emotive delivery and melodic structure. As a duet featuring Mile Kitic, the recording exemplifies the collaborative spirit often found in regional music from the era, blending vocal harmonies with a rhythmic foundation that resonates with audiences across the former Yugoslavia. The song reflects the genre's focus on personal narrative and atmospheric soundscapes, contributing to the broader canon of contemporary Yugoslav pop. Its enduring appeal lies in the seamless integration of the featured artist's voice with Djogani's performance, creating a cohesive auditory experience that captures the emotional depth typical of the period's musical output.