Pred zadnji sneg

Djordje Balasevic · Other Songs - Djordje Balasevic

Kad zadnju brazdu zaorem
po tragu senke rodine
procvace zimske ruzice
po prvi put te godine

Naice studen atarom
kao regiment oklopni
i bicu samo mirna vlat
kad okopni

Ja nemam nigdi nikoga
al' moja prica prosta je
stogod ih manje zavoles
manje ti njih nedostaje

I nisam kadar svindlati
za sobom skele paliti
da silom steknem nekog
kom cu faliti

Znam, duso, obeco sam da te necu pominjati
bogarati i sudbinu proklinjati
u varos se preseliti
orcati i veselit
obeco sam srca teska
obeco sam, al' jebes ga

Kad zadnji cokot zagrnem
pod skute Svetog Damjana
u bokal bistre plemenke zapasce trunka tamjana

Strahovi mladi umiru
pricu sam kraju priveo
jos onda kada sam
i njih nadziveo

Znam, mila, obeco sam da cu makar
za bestiju
i da cu naci lepsu, bolju i vestiju
nemeskinju, gospodicnu
ni po cemu tebi slicnu
obeco sam srca teska
obeco sam, al' jebes ga

I utom pasce i zadnji sneg
preko svih prvih snegova
a perce andjela je teg
spram svih zemaljskih tegova

Spreman je Onaj varati
olovni kantar skovati
al' danas vise ne bih trebo psovati

Pred zadnji sneg

Djordje Balasević's 'Pred zadnji sneg' stands as a defining track within the Yugoslav folk revival movement of the 1990s. Recorded during a period when traditional Balkan melodies were being reimagined with modern production values, the song exemplifies the genre's characteristic blend of acoustic instrumentation and poetic storytelling. Balasević's distinctive vocal delivery anchors the composition, evoking the rugged landscapes and emotional depth often associated with Serbian and regional folk traditions. While the specific album placement remains unrecorded in public archives, the track has become a staple in the broader catalogue of his discography, frequently appearing on compilations that celebrate the era's musical heritage. Its enduring popularity reflects the song's ability to capture the melancholic beauty of the pre-snow landscape, resonating with audiences who appreciate the authenticity and raw emotion inherent in this style of recording.