Cke beogradske
Gazda Paja · Other Songs - Gazda Paja
Ref. 2x
Cke beogradske
totalno poludele
sve bi malo rakije
eksere il' THC
Stvarno niste normalne
stvarno nismo normalne
stvarno niste normalne
ma, stvarno nismo normalne
Um, dois, três, quatro
Kazem
Ref.
Kazem, hej, cko
zasto uvek mora to
zasto uvek alkohol
s vutricom, ekserom
To je zlo, nije zlo
jeste, jebeni hardcore
ja bih da se uzmemo
ti bi da uzmemo
Kazem, hej, cko
zasto uvek mora to
zasto uvek alkohol
s vutricom, ekserom
To je zlo, nije zlo
jeste, jebao te 'kser
vi nikada niste fake
lude cke beogradske
Ref.
Um, dois, três, quatro
Ref.
Cke beogradske
to su cke beogradske, hej
Stvarno nismo normalne
Cke beogradske
Stvarno nismo normalne
To su cke beogradske
Ref.
Um, dois, três, quatro
Kazem
Ref.
Cke beogradske
to su cke beogradske, hej
Cke beogradske
totalno poludele
sve bi malo rakije
eksere il' THC
Stvarno niste normalne
stvarno nismo normalne
stvarno niste normalne
ma, stvarno nismo normalne
Um, dois, três, quatro
Kazem
Ref.
Kazem, hej, cko
zasto uvek mora to
zasto uvek alkohol
s vutricom, ekserom
To je zlo, nije zlo
jeste, jebeni hardcore
ja bih da se uzmemo
ti bi da uzmemo
Kazem, hej, cko
zasto uvek mora to
zasto uvek alkohol
s vutricom, ekserom
To je zlo, nije zlo
jeste, jebao te 'kser
vi nikada niste fake
lude cke beogradske
Ref.
Um, dois, três, quatro
Ref.
Cke beogradske
to su cke beogradske, hej
Stvarno nismo normalne
Cke beogradske
Stvarno nismo normalne
To su cke beogradske
Ref.
Um, dois, três, quatro
Kazem
Ref.
Cke beogradske
to su cke beogradske, hej
Cke beogradske by Gazda Paja
Gazda Paja's 'Cke beogradske' stands as a defining track within the Yugoslav hip-hop and rap scene, capturing the gritty urban atmosphere of Belgrade in the late 1990s. The song exemplifies the genre's raw energy and lyrical focus on local street culture, serving as a cultural touchstone for the era's youth. Its enduring popularity highlights Gazda Paja's role in shaping the sound of Yugoslav rap, blending aggressive delivery with themes of city life that resonated deeply across the region. As a key recording from this period, the track remains a significant reference point for understanding the evolution of Balkan hip-hop and its distinct identity.