Put 'Em In A Box, Tie It With A Ribbon

Doris Day · Other Songs - Doris Day

You can take the moon
Gather up the stars
And the robins that sing merrily
Put 'em in a box
Tie it with a ribbon
Throw 'em in the deep blue sea

You can take the flowers
Down in lovers lane
And that sentimental poetry
Put 'em in a box
Tie it with a ribbon
Throw 'em in the deep blue sea

Not for me, all that stuff
The dreams that ruin your sleep
Not for me, had enough
Love is one thing you can keep

You can take the plans
And the wedding bells
And whoever sings "Oh Promise Me"
Put 'em in a box
Tie it with a ribbon
Throw 'em in the deep blue sea
'Cause love and I we don't agree

(Bridge)

Hansoms through the park
Kisses in the dark
All the promises made faithfully
Put 'em in a box
Tie it with a ribbon
Throw 'em in the deep blue sea

And you won't go wrong
If you take a song
Sung by Frankie Boy or Mr. C
Put 'em in a box
Tie it with a ribbon
Throw 'em in the deep blue sea

Not for me, all that stuff
Not for me, had enough

You know what to do
With good old "Tea for Two"
And the girl for you, the boy for me
Put 'em in a box
Tie it with a ribbon
Throw 'em in the deep blue sea
'Cause love and I we don't agree

Put 'Em In A Box, Tie It With A Ribbon

Doris Day's 1957 recording of 'Put 'Em In A Box, Tie It With A Ribbon' stands as a quintessential example of her early career, blending the polished pop sensibilities of the late swing era with her signature vocal clarity. Originally written by Sammy Fain and Arthur Freed for the 1949 film 'The Band Wagon,' the song was a showcase for the musical theater community before finding a new life in Day's discography. Her delivery captures the song's playful yet sentimental tone, utilizing her distinctive contralto to navigate the lyrics about preserving memories. This track exemplifies the smooth, orchestral arrangements characteristic of Day's work during the mid-1950s, serving as a bridge between the big band era and the emerging sound of modern pop. It remains a cherished piece within her extensive catalog, often performed alongside other standards that defined her status as a leading lady of the era.