U haremu Aziz Abdulaha
Safet Isovic · Other Songs - Safet Isovic
tristaseset i pet djevojaka
svaka djeva za tim danom zudi
kad je Aziz u godini ljubi
Fatima je najljepsa od cura
uvijek sjedi kraj rumena djula
na njoj kaftan i jelek se trese
a kroz svilu njedra provide se
aj, a kroz svilu njedra provide se
Sjajni mjesec za oblake stao
u lijepu se Fatu zagledao
pa joj ljubi i miluje grudi
pazi jadan da je ne probudi
Za sevdahom svaka zudi djeva
neljubljena koliko bi htjela
jedan poljub sa mednih usana
premalo je u godini dana
aj, premalo je i svakoga dana
U haremu Aziz Abdulaha
Safet Isovic's 'U haremu Aziz Abdulaha' stands as a defining track within the Yugoslav folk revival movement of the 1980s. The song exemplifies the genre's characteristic fusion of traditional Balkan melodies with contemporary pop arrangements, a style Isovic helped popularize across the region. Recorded during a period of intense cultural expression in Yugoslavia, the piece reflects the era's focus on preserving and reimagining local heritage through modern musical lenses. Isovic's distinctive vocal delivery and the song's rhythmic structure became staples in regional dance scenes, cementing his reputation as a leading figure in the genre. The work remains a significant example of how traditional themes were adapted for broader audiences while maintaining authentic cultural roots.