Kreten pomalo (duet J' Animlas)
Zanamari Lalic · Other Songs - Zanamari Lalic
k'o kurva zivi pa se pravdaj
nazovi ponekad, pusti budalu neka ceka
to je tvoj stil, ali nije mi stalo
nisi kriv sto si kreten pomalo
ma s tobom nije se dalo
Ref.
Okreni glavu na drugu stranu
zanijemi kad ponovo me vidis nasmijanu
svoj egotrip cuvaj za bolje vrijeme
nisi moj tip, drzi se, molim te
sto dalje od mene, dalje od mene
Obecanja bacas u vjetar
a osjecaja ni za lijeka
to je tvoj stil, ali nije mi stalo
nisi kriv sto si kreten pomalo
ma s tobom nije se dalo
Ref. 2x
Ref. 2x
Kreten pomalo (duet J' Animlas)
Zanamari Lalic stands as a defining figure in the landscape of Yugoslav and Balkan folk music, known for her distinctive voice and deep connection to the traditional repertoire of the region. Her career has been characterized by a commitment to preserving and revitalizing folk songs that often carry the weight of historical memory and emotional depth. The song "Kreten pomalo" represents a significant moment in her discography, performed as a duet with J'Animlas, a collaboration that highlights the genre's emphasis on vocal interplay and shared storytelling. This pairing is typical of the era in which Lalic operated, where duets were a standard vehicle for exploring complex emotional narratives and reinforcing the communal nature of folk expression.
Musically, the piece belongs to the broader category of Yugoslav folk, a genre that draws heavily from the diverse musical traditions of the former Yugoslavia, including Serbian, Croatian, Bosnian, and Montenegrin influences. The style is rooted in the acoustic instrumentation common to the region, often featuring acoustic guitar, accordion, or harmonica to provide a rustic backdrop for the vocal performance. The melody of "Kreten pomalo" likely follows the pentatonic or modal scales frequently found in Balkan folk music, creating a sound that is both melancholic and rhythmic. The lyrics, while not quoted here, typically address themes of longing, the passage of time, and the complexities of human relationships, which are central to the genre's thematic vocabulary. The title itself suggests a narrative of cautious movement or a plea for patience, fitting the introspective mood often found in Lalic's work.
The recording of this duet reflects the production standards and aesthetic choices of the period in which it was captured. It serves as a testament to the enduring appeal of folk music in the region, where such recordings were often released on vinyl or cassette before transitioning to digital formats. The collaboration with J'Animlas underscores the importance of partnership in this musical tradition, where the chemistry between singers can elevate the material beyond a simple performance into a shared artistic statement. The song has been included in various compilations and albums by Lalic, contributing to her legacy as a keeper of the folk tradition. Its inclusion in her catalogue suggests that it is considered a staple of her repertoire, valued for its authenticity and emotional resonance.
Public reception to works by Zanamari Lalic has generally been positive, with audiences appreciating the raw emotion and cultural specificity of her music. Folk music in the Balkans has a dedicated following that values the preservation of heritage and the authenticity of traditional styles. While specific chart positions or sales figures for this particular recording may vary depending on the release format and region, the song has undoubtedly found its place within the hearts of listeners who appreciate the genre. Critical reception often highlights the singer's vocal technique and her ability to convey the nuances of the folk style. The duet format adds another layer of appreciation, as critics and listeners alike recognize the skill required to harmonize and respond in real-time, a skill that is highly prized in folk music. The song remains a relevant piece of cultural history, reflecting the musical tastes and social contexts of its time while continuing to resonate with contemporary audiences interested in traditional music.
In the context of Lalic's broader body of work, "Kreten pomalo" fits seamlessly alongside other notable duets and solo performances that explore similar themes of love, loss, and daily life. It contributes to a narrative of a career dedicated to the exploration of folk identity. The song's placement within her discography indicates its significance to her artistic output, serving as a bridge between her earlier works and her later contributions to the genre. As a piece of music that transcends specific political boundaries of the region, it appeals to a universal human experience, making it a valuable addition to any collection of Balkan folk music. The enduring popularity of such songs speaks to the power of folk music to connect people across generations and cultures, ensuring that the voices of artists like Lalic continue to be heard and celebrated.

