Bar jedan ples
Zdravko Colic · Other Songs - Zdravko Colic
bilo bi dobro, e, kad bi moglo malo
malo, samo malo, jedan dan
Pula, Fest, Monte Karlo, Rim
o, ti i ja, bili bi zbilja krasan par
za film, za film, za film
E, da si makar balerina, sto bi volio
bilo bi dobro, e, kad bi moglo malo
malo, samo malo jednu noc
urnebes, bio bi takav urnebes
o, ti i ja, bili bi ovdje glavni par
za ples, za ples, za ples
Ref.
Steta bas, steta bas
steta bar za ovaj ples
mogli bi mozda i mi
mogli bi kad mogu svi
probajmo bar jedan ples, ples, ples
E, da si makar balerina, sto bi volio
bilo bi dobro, e, kad bi moglo malo
malo, samo malo jednu noc
urnebes, bio bi takav urnebes
o, ti i ja, bili bi ovdje glavni par
za ples, za ples, za ples
Ref.
Bar jedan ples
Zdravko Čolić's "Bar jedan ples" stands as a quintessential example of Yugoslav pop music from the 1960s, capturing the era's distinctive blend of romanticism and folk influences. The track exemplifies Čolić's signature style, characterized by his smooth vocal delivery and the lush orchestral arrangements typical of the period's leading pop recordings. Released during a time when Belgrade's music scene was flourishing, the song reflects the cultural optimism and emotional depth that defined the region's musical output before the breakup of Yugoslavia. As a staple of his discography, it remains a cherished piece for fans of classic Balkan pop, illustrating the enduring appeal of his work and the specific sonic palette that made him a defining artist of the generation.