Drama (feat. Sladja Delibasic i Sha)

Zejna Murkic · Other Songs - Zejna Murkic

I 'ajmo, i 'ajmo ruke visoko
prazne se case za stolom
veceras bice zestoko
tu su za vas

Zejna, Sladja i Sha
da li ste spremni za show
pocinje ludilo
let's go

Pomalo boli me
sto s drugom vidim te
svuda si oko nje
lagao si sve

Pomalo luda sam
sto sam dopustila
da takav imas me
jadan si, hajde, skloni se

Sad tako besna sam
ali da se smirim znam
u sebi brojim i
idemo, je'n, dva, tri

Ludilo pocinje
pice na stolu je
kaze kreni
nek' se trese sve

Ref.
Ludilo je sad u klubu
dok ti mazis neku drugu
spremna sam za igru grubu
momcima da lecim tugu

Ludilo je sad u klubu
glavna sam sad tu u krugu
ova strast se igra s nama
tako prija ova drama

I 'ajmo, i 'ajmo, ruke visoko
i 'ajmo, Zejna, Sladja i Sha
i 'ajmo, pocinje ludilo

Vece je super i zovem sve drugove
bez tebe obilazim klubove
malo da popijem i da se opustim
zurke do jutra ja ne smem da propustim

Prelepe devojke zavodno igraju
bez srama me pogledom skidaju
veceras uz ritam ja igram sa njima
tako je lutko kad proradi inat

Maksimo opusten u toplim nocima
mrdaju kukove, ja pratim ih ocima
otkinem totalno kad ritam krene
k'o duh iz lampe ispunjavam zelje

Ti k'o i ja, duzna ne ostajes
od pitome mace ti lavica postajes
negde s drugaricom do jutra ostajes
bas sve sto ti uradim duplo kostace

Uzalud sada je
da ona trudi se
da budes samo njen
i da zadrzi te

Nije ni svesna mala
da vec sad varas je
dok preko njenog ramena
uporno gledas me

I tako glupo je da
zbog tebe kidam se
nisi toga vredan ti
idemo, je'n, dva, tri

Ludilo pocinje
pice na stolu je
telo mi gori, kaze
kreni, nek' se trese sve

Ref.

Ref.

Drama (feat. Sladja Delibasic i Sha)

Zejna Murkic delivers a compelling performance on "Drama," a track that highlights her versatility within the YUG genre. Featuring Sladja Delibasic and Sha, the recording showcases a collaborative energy that defines much of her contemporary output. Murkic has established a distinct presence through a diverse catalogue that includes notable works such as "Osmi dan," "Kriva sam," and "Posebna." Her discography reflects a consistent exploration of emotional themes and rhythmic textures, often blending traditional influences with modern production techniques. "Drama" stands as a significant song in her body of work, demonstrating her ability to craft engaging narratives through music. The song aligns with her broader artistic trajectory, reinforcing her reputation as a dynamic voice in the regional scene. Listeners familiar with her other recordings will recognize the signature style that has garnered her attention, while the featured artists add depth to the sonic landscape.