Toothache Blues - Part 1 (1928)

Lonnie Johnson · Complete Recorded Works 1925-32, Vol. 4-(1928-29) [1991]

VS: Ahhh, hahhh , [spoken words (s.w.)]

LJ: What's the matter, darlin'? [s. w.]

VS: Ahhh, hahhh , [s. w.]



VS: I'm havin' so much trouble with those toothache blues.

LJ: I'm a real good doctor to ease those toothache blues.

VS: Ahhh, ahhh , [s. w.]

VS: It's got me floor walkin' and wearin' out both of my shoes.

VS: Ahhhhh , [s. w.]



LJ: You need a quick fillin' dentist, now don't be mean and cross.

VS: Ohhh, doctor , huhh , LJ: Hush up, darlin', just a minute , [s. w.]

You need a quick fillin' dentist, now don't be mean and cross.

VS: Mmm, mmm , [s. w.]

VS: Last night I was hot with fever, I just rolled and tossed.

VS: Ohhh, doctor , LJ: Just a minute, darlin' , [s. w.]



LJ: Don't get nervous honey, when I lay you in my chair.

VS: Mmm , LJ: Sit still, darlin' , [s. w.]

Don't get nervous, honey when I lay you in my chair.

VS: Ahhh, doctor, doctor , [s. w.]

VS: If you use what's in your hand, you'll make me pull my hair.

VS: Ahhh, ouch, mmm , LJ: Just a minute , [s. w.]



VS: I feel a funny little somethin' easin' into my cavity.

VS: Mmm, ouch, ohhh , (giggling)

I feel a funny little somethin' easin' into my cavity.

LJ: That's nothin' but cocaine and liquor to ease your pains you see.

VS: Ohhh, doctor, mmm , LJ: Wait, just a minute now ... [s. w.]

VS: Mmm , LJ: I got it now ... [s. w.]

VS: Ahhh, ahhh , LJ: I , I pulled it now , [s. w.]

VS: Ahhh, doctor , LJ: Don't it feel better now? [s. w.]

VS: Ahhhh , LJ: It won't be long now , [s. w.]

VS: Mmmm , mmmm , [s. w.]

Toothache Blues - Part 1 (1928)

Lonnie Johnson stands as a towering figure in early blues and jazz, renowned for his fluid guitar work and emotive vocals. Recorded in 1928, Toothache Blues - Part 1 captures the artist during a pivotal period of his prolific career. This track exemplifies the raw, narrative-driven style that defined his early recordings, blending traditional blues structures with the improvisational flair of jazz. Johnson's ability to convey deep personal struggle through his instrument and voice made him a vital influence on countless musicians who followed. As a key component of his extensive discography from the late 1920s, this recording highlights his mastery of the genre and his enduring contribution to American music history. The song remains a testament to his skill in crafting memorable, emotionally resonant performances that continue to resonate with listeners today.