She's Leavin'

Jim Ed Brown and the Browns · She's Leavin' [RCA] [1972]

(Kevin Johnson)



She's leavin', she's leavin'

She's on the ship now and leavin'

Standing by the gateway tossin' streamers over my way

I find it kinda hard believin'.



Deceivin'. deceivin', my subtle game of deceivin'

Standing here and waving

Blowin' kisses and behavin'

Like it doesn't matter much to see her leavin'.



I don't know what I don't know

Who I don't know, where she's goin' to

I only know she's goin' out of my life

Across the sea a wavin' hands

And Col'nel Billy's farewell band

I watch the disappearin' face of my wife.



And I'm doin' all I can to hide

The sad confusion in my mind

And brace myself with every trick I know

And though my lips are beating time

To the words of Auld Lang Syne

My voice keeps on defyin', cryin' Bonnie please don't go.



Oh, that fool in me persuadin' me to hide

The broken pieces of my dignity

When a simple reassuring word

Just to reach out and comfort her

Was all I had to say to keep her here with me.



And I don't know what I don't know

Where I don't know, who she's goin' to

I only know she's goin' out of my life

Across the sea a wavin' hands

And Col'nel Billy's farewell band

I watch the disappearin' face of my wife.



She's leavin', she's leavin'

She's on the ship now and leavin'

Standing by the gateway tossin' streamers over my way

I find it kinda hard believin'...

About She's Leavin'

Jim Ed Brown and the Browns deliver a spirited gospel-infused rock and roll track on their 1972 RCA release, "She's Leavin'." The song captures the raw energy of the era, blending traditional church rhythms with a driving backbeat that defines the group's signature sound. As a staple of their discography, the recording showcases Jim Ed Brown's distinctive vocal style, characterized by his powerful delivery and rhythmic phrasing that became a hallmark of his career. The composition reflects the broader cultural shift of the early 1970s, where gospel traditions were seamlessly integrated into secular pop music, creating a unique sonic landscape. This particular recording stands as a testament to the group's ability to craft memorable, high-energy performances that resonated with audiences seeking authentic, soulful rock and roll.