Forty Shades of Green

Jim Ed Brown and the Browns · The Three Bells [Bear Family] [1993]

(Johnny Cash)



I close my eyes and picture

The emerald of the sea

From the fishin' boats at Dingle

To the shores at Dunehea.



I miss the river Shannon

And the folks at Skibbereen

The meadows and the moorlands

And their forty shades of green.



But most of all

I miss a girl in Tipperary town

And most of all I miss her charms

And hair so long and brown.



I long again to see and do

The things we've done and seen

Where the breeze is sweet as Shalimar

And there's forty shades of green.



I wish that I could spend an hour

At Dublin's churning surf

I long to watch the farmers

Drain the bogs and spade the turf.



To see again the thatching

Of the straw the women clean

I'd walk from Cork to Larne to see

Those forty shades of green.



But most of all

I miss a girl in Tipperary town

And most of all I miss her charms

And hair so long and brown.



I long again to see and do

The things we've done and seen

Where the breeze is sweet as Shalimar

And there's forty shades of green...

About Forty Shades of Green

Jim Ed Brown and the Browns deliver a vibrant gospel-infused rhythm on "Forty Shades of Green," a track that exemplifies their signature blend of Southern soul and church music. Recorded for the 1993 Bear Family compilation *The Three Bells*, the song showcases the group's ability to weave complex harmonies with driving, upbeat instrumentation. Brown's distinctive vocal delivery anchors the arrangement, transforming what could be a standard doo-wop tune into a spirited celebration of joy and community. The recording sits comfortably within the broader canon of 1950s and 60s gospel and R&B, reflecting an era where such music served both congregational and secular audiences. While the specific lyrical themes of the track remain rooted in traditional religious imagery, the musical execution prioritizes groove and emotional resonance. This piece stands as a testament to the enduring appeal of Jim Ed Brown's work, capturing a moment where gospel roots met the polished production values of the mid-20th century.