City Of New Orleans
John Denver · John Denver - Greatest Hits - 3 Cd Set! [2005]
by Steve Goodman
Riding on the City of New Orleans
Illinois Central Monday morning rail
There's fifteen cars and fifteen restless riders
Three conductors and twenty five sacks of mail
They're out on the south-bound odyssey and the train pulls out of Kankakee
Rolling past houses, farms and fields
Passing towns that have no names and freightyards full of old black men
And the graveyards full of rusted automobiles
Singing good morning America, how are you
Saying don't you know me, I'm your native son
I'm the train they call City of New Orleans
I'll be gone five hundred miles when the days is done
I was dealing cards with the old man in the club car
Plenty of points there ain't no one keeping score
Say won't you pass the paper bag that holds the bottle
And feel the wheels rumbling through the floor
And the sons of Pullman porters and the sons of engineers
Ride their father's magic carpet made of steel
And the days were full of
restless and their dreams were full of memories
And the echos of the freight train whistles clear
Singing good morning America, how are you
Saying don't you know me, I'm your native son
Yes I'm the train they call City of New Orleans
I'll be gone five hundred miles when the days is done
But it's twilight on the city of New Orleans
Talk about a pocket full of friends
Halfway home, we'll be there by morning
With no tomorrow waiting round the bend
Singing goodbye America, I love you
Saying don't you know me, I'm your native son
I'm the train they call City of New Orleans
I'll be gone five hundred miles when the days is done
Singing good morning America, how are you
Saying don't you know me, I'm your native son
Yes I'm the train they call the City of New Orleans
I'll be gone five hundred miles when the days is done
Riding on the City of New Orleans
Illinois Central Monday morning rail
There's fifteen cars and fifteen restless riders
Three conductors and twenty five sacks of mail
They're out on the south-bound odyssey and the train pulls out of Kankakee
Rolling past houses, farms and fields
Passing towns that have no names and freightyards full of old black men
And the graveyards full of rusted automobiles
Singing good morning America, how are you
Saying don't you know me, I'm your native son
I'm the train they call City of New Orleans
I'll be gone five hundred miles when the days is done
I was dealing cards with the old man in the club car
Plenty of points there ain't no one keeping score
Say won't you pass the paper bag that holds the bottle
And feel the wheels rumbling through the floor
And the sons of Pullman porters and the sons of engineers
Ride their father's magic carpet made of steel
And the days were full of
restless and their dreams were full of memories
And the echos of the freight train whistles clear
Singing good morning America, how are you
Saying don't you know me, I'm your native son
Yes I'm the train they call City of New Orleans
I'll be gone five hundred miles when the days is done
But it's twilight on the city of New Orleans
Talk about a pocket full of friends
Halfway home, we'll be there by morning
With no tomorrow waiting round the bend
Singing goodbye America, I love you
Saying don't you know me, I'm your native son
I'm the train they call City of New Orleans
I'll be gone five hundred miles when the days is done
Singing good morning America, how are you
Saying don't you know me, I'm your native son
Yes I'm the train they call the City of New Orleans
I'll be gone five hundred miles when the days is done
City Of New Orleans
John Denver's 'City Of New Orleans' stands as a poignant tribute to the resilience and spirit of the Crescent City. Recorded within the context of his extensive body of work, the track exemplifies the artist's signature blend of folk and country, characterized by acoustic guitar and heartfelt vocals. The song reflects Denver's deep connection to American landscapes and communities, capturing the essence of New Orleans through a lens of nostalgia and hope. As part of his discography, this recording contributes to his legacy as a chronicler of small-town and regional identities, resonating with listeners who appreciate music that celebrates place and human endurance.

