No Tears in Heaven
Skeeter Davis · Hand in Hand With Jesus (RCA Victor) [1967]
(Robert S. Arnold)
No tears in heaven no sorrows given
All will be glory in that land
There'll be no sadness all will be gladness
When we shall join that happy band.
No tears (in heaven bear) no tears (no tears up there)
Sorrow and pain will all have blown
No tears (in heaven bear) no tears (no tears up there)
No tears in heaven will be known.
--- Instrumental ---
Glory is waiting waiting up yonder
Where we shall spend an endless day
There with our Saviour we'll be forever
Where no more sorrow can dismay.
No tears (in heaven bear) no tears (no tears up there)
Sorrow and pain will all have blown
No tears (in heaven bear) no tears (no tears up there)
No tears in heaven will be known.
No tears in heaven will be known...
No tears in heaven no sorrows given
All will be glory in that land
There'll be no sadness all will be gladness
When we shall join that happy band.
No tears (in heaven bear) no tears (no tears up there)
Sorrow and pain will all have blown
No tears (in heaven bear) no tears (no tears up there)
No tears in heaven will be known.
--- Instrumental ---
Glory is waiting waiting up yonder
Where we shall spend an endless day
There with our Saviour we'll be forever
Where no more sorrow can dismay.
No tears (in heaven bear) no tears (no tears up there)
Sorrow and pain will all have blown
No tears (in heaven bear) no tears (no tears up there)
No tears in heaven will be known.
No tears in heaven will be known...
No Tears in Heaven
Skeeter Davis delivers a soulful rendition of 'No Tears in Heaven' on her 1967 album Hand in Hand With Jesus. As a defining voice of gospel and country gospel, Davis blends her signature twang with spiritual depth, creating a recording that resonates with themes of faith and resilience. The track exemplifies her ability to transform traditional hymns into compelling musical narratives, showcasing her influence on the genre during the late 1960s. Her interpretation emphasizes emotional sincerity, making the song a standout piece within her discography and a testament to her enduring legacy in religious music.