Old Dogs, Children and Watermelon Wine

Tom T. Hall · Millennium Collection [MCA] [2000]

"how old do you think I am? " he said.

I said, well, I didn't know.

He said, "i turned 65 about 11 months ago."



I was sittin' in miami pourin' blended whiskey down

When this old gray black gentleman was cleanin' up the lounge



There wasn't anyone around 'cept this old man and me

The guy who ran the bar was watchin' "ironsides" on tv

Uninvited, he sat down and opened up his mind

On old dogs and children and watermelon wine



"ever had a drink of watermelon wine? " he asked

He told me all about it, though I didn't answer back

"ain't but three things in this world that's worth a solitary dime,

But old dogs and children and watermelon wine."



He said, "women think about they-selves, when menfolk ain't around.

And friends are hard to find when they discover that you're down."

He said, "i tried it all when I was young and in my natural prime;

Now it's old dogs and children and watermelon wine."



"old dogs care about you even when you make mistakes;

God bless little children while they're still too young to hate."

When he moved away I found my pen and copied down that line

'bout old dogs and children and watermelon wine.



I had to catch a plane up to atlanta that next day

As I left for my room I saw him pickin' up my change

That night I dreamed in peaceful sleep of shady summertime

Of old dogs and children and watermelon wine.

About Old Dogs, Children and Watermelon Wine

Tom T. Hall's "Old Dogs, Children and Watermelon Wine" stands as a quintessential example of his storytelling prowess, capturing the quiet dignity of rural life with unpretentious lyricism. Recorded for the *Millennium Collection*, this track exemplifies the acoustic folk tradition Hall helped preserve, blending simple melodies with narratives that resonate across generations. The song reflects his signature ability to find profound emotion in everyday scenes, avoiding grandiosity in favor of intimate observation. As part of his extensive discography spanning decades, the recording showcases his mastery of the guitar and his commitment to authentic, unpolished vocal delivery. It remains a staple in the canon of American folk music, illustrating how Hall's work continues to influence artists who value narrative depth and lyrical clarity over commercial flash.