Oh, Pretty Woman
Roy Orbison · The Monument Singles: A-Sides (1960-1964) [2011]
Pretty woman, the kind I like to meet
Pretty woman
I don't believe you, you're not the truth
No one could look as good as you
Mercy
Pretty woman, won't you pardon me
Pretty woman, I couldn't help but see
Pretty woman
That you look lovely as can be
Are you lonely just like me
Wow
Pretty woman, stop a while
Pretty woman, talk a while
Pretty woman, give your smile to me
Pretty woman, yeah yeah yeah
Pretty woman, look my way
Pretty woman, say you'll stay with me
'Cause I need you, I'll treat you right
Come with me baby, be mine tonight
Pretty woman, don't walk on by
Pretty woman, don't make me cry
Pretty woman, don't walk away, hey...okay
If that's the way it must be, okay
I guess I'll go on home, it's late
There'll be tomorrow night, but wait
What do I see
Is she walking back to me
Yeah, she's walking back to me
Oh, oh, Pretty woman
Oh, Pretty Woman
Roy Orbison's "Oh, Pretty Woman" stands as a defining track of 1960s rock and roll, blending his signature deep, resonant vocals with a driving, rhythmic arrangement. Originally recorded for his 1964 album "The Monument Singles: A-Sides," the song exemplifies Orbison's ability to fuse country roots with emerging rock sensibilities. While often associated with the R&B style of Dusty Springfield, Orbison's version retains his distinct vocal texture and the band's powerful, steady groove. The recording became a staple of his discography, showcasing his mastery of dynamics and emotional delivery during a pivotal era in music history. Its enduring popularity highlights Orbison's significant influence on the genre, cementing his status as a major force in mid-century American recording.